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poster

60

6.6

/3594/

67

/82/

59

/70/

3.3

/1366/

40

/5/

60

/33/

2.5

While moving a group of Apaches to a Native American reservation in Arizona, an American scout named Sam Varner is surprised to find a white woman, Sarah Carver, living with the tribe. When Sam learns that she was taken captive by an Indian named Salvaje ten years ago, he attempts to escort Sarah and her half-Native American son to his home in New Mexico. However, it soon becomes clear that Salvaje is hot on their trail.

poster

65

49

6.7

/2092/

62

/55/

61

/66/

3.7

/5873/

66

/39/

A Japanese fairy tale meets commedia dell'Arte. All in white, the naïf Pierrot lies in a wood. Doo-wop music plays as he rises, stares about, and reaches for the moon. Although music abounds and the children of the wood are there at play, Pierrot is melancholy and alone. Harlequin appears, brimming with confidence and energy. He conjures the lovely Colombina. Pierrot is dazzled. But can the course of true love run smooth?

poster

71

49

7.1

/3118/

71

/138/

64

/126/

4.0

/22261/

69

/7/

A young woman move towards a house that holds a potentially dangerous spirit that has been tormenting her. The woman tries to fight against the film itself as it starts to cause the world to collapse.

poster

42

36

4.4

/4544/

50

/161/

47

/120/

2.4

/9880/

21

/94/

Upon joining a sorority, Beth is plagued by nightmares of a knife-wielding killer, when her past comes back to haunt her.

poster

65

31

6.2

/827/

67

/17/

65

/15/

3.8

/2890/

59

/20/

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

poster

57

20

6.6

/568/

50

/15/

52

/19/

3.5

/1233/

50

/5/

In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal drama.

poster

67

18

7.2

/311/

67

/8/

59

/15/

3.6

/855/

Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.

poster

60

17

6.2

/401/

59

/16/

48

/13/

3.7

/917/

Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.

poster

63

9

6.7

/174/

56

/6/

62

/10/

3.4

/353/

Stock footage edited with music to comment on American culture.

poster

50

?

7.0

/115/

10

/1/

3.5

/333/

Damon Packard parodies the making of Star Wars: Attack of the Clones

poster

?

4.4

/39/

20

/1/

40

/1/

Tales of the Valley of the Wind composes an experimental love-letter to the spiritual world of Hayao Miyazaki, re-figuring [Nausicaa] into lush live-action scenes with period costumes, horses, swordplay, and, er...puppets. All on a tiny budget, Packard implements his signature experimental touch to create a very unique fan-film indeed.

poster

47

?

5.8

/93/

17

/5/

45

/2/

3.4

/260/

"Spacedisco One" is a sequel to both "Logan's Run" and "1984" at the same time with Orwell's Winston Smith running into the daughters of Logan 5 and Francis 7 as they're busy running about a park firing off laser beams at one another. It's not until they meet that Winston realizes they're actually all fictional characters in a movie. When not discussing "Battlestar Galactica" with Stargirl 7 and Francis 8, Winston makes frequent visits to the Ministry of Truth - Universal CityWalk.

poster

?

5.2

/9/

50

/3/

From a found footage material, the film tells the fable of the Monsters, describing the human condition from a tragic and desolate point of view.

poster

59

?

6.2

/192/

45

/5/

60

/9/

3.4

/290/

A commentary on the destructive expectations of females in a male dominated society, Marilyn Times Five was made from an old stag film called "The Apple-Knockers, and the Coke"(1948) these sections of the film were set to Marilyn Monroe's song "I'm Through With Love". The film depicts a Marilyn Monroe look-a-like slowly taking her clothes off for the camera (the viewer). The woman's actions are looped several times which gives the audience a sensation of exhaustion. That exhaustion keeps building until the very end where the woman is shown crumpled on the floor in an awkward position, which makes it appear as if she is lifeless.

poster

60

?

7.1

/119/

35

/2/

66

/8/

3.5

/430/

This one is a collage of Hollywood melodramas of the 1950s and 1960s, filmed directly from the television set. The constantly recurring motifs of suspense and clichés of plot make it possible to move seamlessly among scenes from different films with different protagonists: uneasy sleep, getting up, listening at the door, turning on the lights, being startled, etc. In the montage, the movements and gestures of the actresses – stars like Lana Turner, Tippi Hedren, and Grace Kelly– seem choreographed and planned for each other. The soundtrack supports this effect with connecting passages of sound that imitate the stereotypes of the genre. The treatment concentrates the dramatic shift from the familiar to the eerie and shows how women become the victims of the voyeuristic glance of film.

poster

?

7.5

/13/

10

/1/

These six essays on film/image history reconstruct cinema history by 're-imagining' its origins, and its poetries, and use historical films themselves (as 'text') to provide the meanings of their creations. Together, these film essays comprise a critical/structural investigation of silent cinema ending with Segei Eisenstein's works (for Stalin) - from Lumiere and Melies through surrealism and horros, to montage and propaganda, we 're-invent' epochs in cinema that became its language and culture.

poster

?

5.7

/36/

10

/1/

40

/2/

24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993. The work consists entirely of an appropriation of Alfred Hitchcock's 1960 Psycho slowed down to approximately two frames a second, rather than the usual 24. As a result it lasts for exactly 24 hours, rather than the original 109 minutes. The film was an important work in Gordon's early career, and is said to introduce themes common to his work, such as "recognition and repetition, time and memory, complicity and duplicity, authorship and authenticity, darkness and light."

poster

?

4.5

/6/

70

/1/

A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.

poster

?

6.3

/44/

10

/3/

62

/5/

The mythic nature of cowboy masculinity is deconstructed in this scathing montage of re-contextualized sounds and images culled from advertising, television, arcade game footage and other pop culture iconography.

poster

?

5.4

/5/

Two shots from the movie "Le diable probablement" (1977), by Robert Bresson, are repeated in a loop, creating a cyclic and endless raccord.

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