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poster
Hoopla
65
6.3
/6947/
60
/266/
59
/176/
3.3
/8495/
83
/112/
52
/20/
76
/28/

The Whistlers (2019)
A Romanian police officer, determined to free from prison a crooked businessman who knows where a mobster's money is hidden, must learn the difficult ancestral whistling language (Silbo Gomero) used on the island of Gomera.
poster
fuboTV
51
5.8
/3085/
63
/95/
61
/59/
2.9
/1144/
25
/8/
48
/42/

Lady in Cement (1968)
While diving for sunken treasure, street-smart gumshoe Tony Rome finds the body of a gorgeous blonde, her feet stuck in a block of cement. Soon after, tough guy Waldo Gronski hires him to find a missing woman named Sandra Lomax, and Rome wonders if there's a connection. He sets about trying to locate the woman, and in no time finds himself mixed up with a beautiful party girl and a slippery racketeer.
poster
?
5.2
/85/
10
/1/
42
/5/

Dead Man Down (1983)
An ex-cop is forced to fight back again, against a mob boss whom he arrested years ago.
poster
39
?
4.2
/222/
40
/9/
36
/4/

Lethal Seduction (1997)
Someone’s picking off crime boss Gus Gruman’s crew, luring them in for a “good time” before brutally killing them. Obsessed detective Trent Jacobson hunts the killer, unaware his nephew Donny is tangled in a web of secrets - dating Gruman’s daughter and falling for a mysterious brunette. Lust, lies, and bloodshed build to a violent, explosive climax.
poster
57
?
5.5
/128/
70
/1/
42
/6/

Men Show Movies & Women Their Breasts (2014)
Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.


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