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poster

79

7.8

/220822/

78

/5451/

76

/3567/

4.1

/252500/

98

/63/

90

/7405/

84

/18/

2.0

age 17+

Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.

poster

42

40

4.2

/8880/

53

/328/

45

/196/

2.4

/11114/

25

/12/

40

/308/

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

poster

44

35

5.8

/3763/

57

/98/

54

/77/

3.0

/2996/

19

/16/

30

/12/

31

/5/

A couple attempts to unravel a sinister plot within the English countryside estate of a dying man who has gathered an eclectic and notable group of house guests.

poster

77

32

7.9

/613/

70

/14/

74

/17/

3.4

/252/

96

/94/

Consuming Kids throws desperately needed light on the practices of a relentless multi-billion dollar marketing machine that now sells kids and their parents everything from junk food and violent video games to bogus educational products and the family car. Drawing on the insights of health care professionals, children's advocates, and industry insiders, the film focuses on the explosive growth of child marketing in the wake of deregulation, showing how youth marketers have used the latest advances in psychology, anthropology, and neuroscience to transform American children into one of the most powerful and profitable consumer demographics in the world. Consuming Kids pushes back against the wholesale commercialization of childhood, raising urgent questions about the ethics of children's marketing and its impact on the health and well-being of kids.

poster

54

30

5.6

/1164/

55

/53/

46

/43/

3.0

/1435/

S&Man (also known as Sandman) is a 2006 pseudo-documentary film that examines the underground subculture of horror films. It combines real interviews with indie horror film makers and a scripted plot that does not immediately come into focus until the second half of the film.

poster

71

27

6.4

/144/

78

/6/

50

/2/

3.5

/720/

78

/9/

87

/19/

A family's home movies document a desperate crime spree and the bid to outrun the consequences. Born from a colossal trove of innocuous uploads to YouTube, Fraud is an impressionistic meta-fiction thriller that reveals one family's struggle for the American Dream and the mutability of the stories we tell online.

poster

56

?

5.9

/176/

54

/5/

Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.

?

4.3

/15/

Benny Rubin is a New York City vaudeville performer who inherits a hotel in California, and takes all of his ham-actor friends there, as chefs, bellhops, maids and waiters, to help him run it. BUsiness is bad so Benny plants a story that his late uncle hid his fortune in the hotel. The place is soon filled with guests who tear down the hotel looking for the non-existent fortune.

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