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poster

84

7.8

/1111/

71

/43/

73

/15/

4.0

/1749/

100

/13/

88

/19/

4.0

When workers at the Hormel meatpacking plant in Austin, Minnesota are asked to take a substantial pay cut in a highly profitable year, the local labor union decides to go on strike and fight for a wage they believe is fair. But as the work stoppage drags on and the strikers face losing everything, friends become enemies, families are divided and the very future of this typical mid American town is threatened.

poster

79

7.7

/150705/

77

/4320/

75

/4000/

4.1

/325130/

85

/120/

89

/5378/

74

/34/

3.0

age 13+

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

poster

72

7.1

/6077/

71

/189/

67

/337/

3.5

/9370/

75

/12/

76

/38/

3.0

It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them.

poster

63

6.1

/18849/

66

/1591/

67

/713/

3.0

/50951/

83

/24/

64

/67/

46

/5/

age 15+

The teenage girls of Vestalis Academy are meticulously trained in the art of being “clean girls,” practicing the virtues of perfect femininity. But what exactly are they being trained for? Vivien intends to find out.

poster

81

61

8.4

/2163/

80

/132/

81

/68/

4.1

/4322/

In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.

poster

75

54

7.3

/1966/

70

/22/

66

/38/

3.7

/1833/

86

/7/

82

/29/

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

poster

50

6.1

/9234/

63

/250/

59

/176/

3.0

/6884/

35

/20/

45

/85/

40

/13/

1.5

Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.

poster

70

48

7.1

/1933/

56

/22/

65

/42/

3.6

/1244/

88

/8/

A film about the 1931 Ådalen shootings, in which Swedish military forces opened fire against labour demonstrators in the Swedish sawmill district of Ådalen.

poster

48

40

5.2

/3237/

53

/153/

52

/92/

2.7

/3072/

30

/80/

Revolting mutants hunt human outcasts and underground fighters (Bruce Campbell, Marta Alicia) in a future world of mind control.

poster

69

35

6.9

/1043/

63

/23/

64

/19/

3.5

/917/

79

/121/

The harsh, competitive world of Australian sheep-shearers provides the setting for this powerful film. Foley and 'Black Arthur' do battle for the position of 'top shearer' amid the boozy world of men isolated from civilisation. After weeks of work they are confronted with non-union labour undercutting them - a situation which leads to a violent conclusion.

poster

74

28

7.6

/869/

69

/39/

68

/15/

3.9

/4099/

80

/3/

In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.

poster

73

24

7.1

/190/

75

/6/

73

/7/

3.8

/4025/

Amin returns to Sète after studying in Paris, still dreaming of cinema. By chance, an American producer on vacation takes an interest in his project and wants his wife, Jess, to play the lead role. But fate, whimsical as ever, has its own rules.

poster

?

6.1

/36/

60

/1/

Mary and her steady, Jack, have differing opinions on "the stage"-- Mary wishes to devote her life to the craft, while Jack strives to settle down and leave all that play-acting behind. When a traveling troupe that performs a Fall-of-Roman epic is ordered to strike, both Mary and Jack are called upon to participate in their stead.

poster

?

7.3

/86/

70

/3/

80

/1/

Grand Saline, Texas, was a sleepy, unremarkable town—until a white preacher lit himself on fire to protest the town's racism in 2014. The subject of this film is deceptively straightforward: A minister commits suicide by setting himself on fire. He leaves behind a letter that frames his decision as a religious response to the intolerable racism of America's past and present, particularly in his Texas hometown. The aftermath is befuddling: There are townspeople who can recall incidents of racial violence and hate speech, and those who have never seen anything of the kind. Black folk in surrounding towns who share rumors and fears about acts of violence, and white folk who say you can't believe everything you hear. Fellow ministers who share the desire to be liberated from a racist past, and churchgoers who believe only mental illness could explain such a suicide.

poster

44

?

5.5

/485/

35

/4/

43

/11/

When the men of a Sicilian village start obsessing over ravishing blonde midwife Jessica, angry females revolt by refusing to have sex with their husbands. As the local priest tries to encourage procreation, Jessica falls for a tricky recluse.

poster

72

?

8.0

/627/

70

/8/

70

/11/

Based on Ion Creanga's book, the story of a child from his childhood to his manhood.

poster

?

6.7

/8/

70

/1/

Millions of Us (1935) is an early example of American labor-left filmmaking that experiments with enacted forms, anticipating Frontier Films’s renowned People of the Cumberland (1938) and Native Land (1942). Produced surreptitiously in Hollywood in 1934-5, the film dramatizes the plight of millions of unemployed workers amidst the Depression. This message is filtered through the story of a single “forgotten man” who walks the streets in desperate search of a job. Driven by hunger, he contemplates becoming a scab. A union man intervenes, coaching him to recognize common interests with his brethren. He is ultimately converted to the cause of trade unionism.

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