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poster
76
52
7.7
/1318/
76
/44/
70
/7/
3.9
/3653/
79
/7/

Mr. Nobody Against Putin (2025)
As Russia launches its full-scale invasion of Ukraine, primary schools across Russia’s hinterlands are transformed into recruitment stages for the war. Facing the ethical dilemma of working in a system defined by propaganda and violence, a brave teacher goes undercover to film what’s really happening in his own school.
poster
Kanopy
68
30
6.8
/1491/
67
/104/
68
/28/
3.2
/532/
76
/12/

Cryptopia: Bitcoin, Blockchains & the Future of the Internet (2020)
Cryptopia: Bitcoin, Blockchains and the Future of the Internet takes a deep dive into the crypto ecosystem and blockchain technology to discover the good, the bad and the ugly of this controversial industry, its major narratives, conflicts and the major players behind it. Can blockchain technology be used to create a new, fairer, decentralised and uncensored web3.0 where we can control our data and protect our online identities? Or will the potential be squandered as mega corporations once again compete for dominance in this new field. With his unrivalled and exclusive access, award-winning filmmaker Torsten Hoffman (Bitcoin: The End of Money as We Know It) takes us on a journey into the heart of this brave new world.
poster
72
?
7.6
/243/
65
/5/
47
/6/
89
/18/
88
/7/
75
/9/

The Desert of Forbidden Art (2011)
How does art survive in a time of oppression? During the Soviet rule artists who stay true to their vision are executed, sent to mental hospitals or Gulags. Their plight inspires young Igor Savitsky. He pretends to buy state-approved art but instead daringly rescues 40,000 forbidden fellow artist's works and creates a museum in the desert of Uzbekistan, far from the watchful eyes of the KGB. Though a penniless artist himself, he cajoles the cash to pay for the art from the same authorities who are banning it. Savitsky amasses an eclectic mix of Russian Avant-Garde art. But his greatest discovery is an unknown school of artists who settle in Uzbekistan after the Russian revolution of 1917, encountering a unique Islamic culture, as exotic to them as Tahiti was for Gauguin. They develop a startlingly original style, fusing European modernism with centuries-old Eastern traditions.


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