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poster
Amazon Prime Video
42
4.7
/765/
48
/16/
44
/16/
3.0
/542/
10
/21/
36
/7/

Rooftops (1989)
T, as most of his friends, lives in a self-constructed 'house', built on top of an old building in the city. Their one passion is 'combat'. Combat is a dance/streetfight during which the contestants try to push each other out of the arena, while not allowed to actually touch each other. When drugdealers move into the neighbourhood and kill T's best friend he embarks on a mission to eradicate the drug-presence in the neigbourhood. His friends are reluctant to help though, knowing what happened to T's friend when he crossed them.
poster
47
?
6.5
/109/
56
/6/
20
/1/

Mark of Love (2011)
Mark is an average guy who has found himself unlucky in love. Looking for a hobby to fill his love-free spare time, he goes to a Karate Class... only to find himself the victim of five speed dating girls who have falsely advertised they're group in a desperate attempt for men to attend. Bribing him to stay, they hope he'll give them the answers to their relationship troubles. The tables are turned when instead of him helping them, they help him. Mark soon discovers that falling in love is one thing but realizing it is another.
poster
?
5.6
/57/
35
/2/
40
/1/

The Actor's Children (1910)
When his play closes down, an actor returns home to find that his children are gone. He's then notified that a wealthy relative has died and left him a substantial amount of money. Preserved by the Academy Film Archive in 2007.
poster
?
5.2
/57/
20
/2/
40
/5/

Underground U.S.A. (1980)
The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.


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