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poster

77

7.2

/2370/

70

/48/

71

/39/

3.7

/3567/

93

/59/

68

/127/

81

/9/

3.5

British director Terence Davies reflects on his birthplace of Liverpool - his memories of growing up there and how it has changed in the years since - in the process meditating on the internal struggles and conflicts that have wracked him throughout his life and the history of England during the second half of the 20th century.

poster

?

6.0

/10/

The Hello Machine is a short, wordless film-poem, in which he chronicles the building of an entire ESS Mainframe. It is a poetic musing on the connections between handwork and the act of communicating. The film chronicles the act of making and building the mainframe with human hands so carefully that it becomes a handcraft, like weaving or sewing.

poster

?

8.4

/17/

80

/2/

In Baudelaire's poem, the sea becomes the mirror of man: wild, abysmal and mysterious.

poster

?

7.8

/11/

60

/1/

Short film after the Swedish poet Gustaf Fröding's (1860-1911) reflections on youth, coming of age and first love.

poster

?

7.0

/23/

55

/2/

80

/2/

Lovesick, a young maiden summons heavens and hell for aid, but only the devil hears her.

poster

?

8.7

/16/

50

/1/

55

/2/

Troubled waters and accursed thaumaturges: Lovecraft's haunting vision of the sea and the unfathomable mysteries that lie within its depths, but also the ancient lore hidden beneath the waters.

poster

?

7.6

/10/

60

/1/

Whitman’s manifesto for a poetry of supreme engagement – a poetry of the mind, body and soul – told though LomoKino images.

poster

?

8.1

/43/

63

/3/

A film poem to commemorate the 50th anniversary of the Aberfan disaster, written by Owen Sheers and performed by a stellar cast of Wales's best-known acting talent, including Michael Sheen, Jonathan Pryce, Sian Phillips, Eve Myles and Iwan Rheon, with some contributions from the local community.

poster

?

9.5

/13/

80

/1/

60

/1/

In Emily Brontë's world, a young woman is under a spell of blind forces of compulsion acting to draw her towards an unnamed darkness from which she cannot escape.

poster

?

7.6

/13/

10

/1/

The film Harry Hooton is conceived as a huge energy field combining the energy of light and colour, movement, editing and sound — a dense, vibrating, pulsating work, unrelenting in its thrust; a celebration of Hooton’s definition of art as the communication of emotion to matter.

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