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poster

73

6.5

/220051/

65

/10342/

67

/3775/

3.4

/1592651/

94

/230/

76

/303/

80

/35/

3.0

age 17+

In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives.

poster

63

6.5

/186037/

65

/5510/

63

/2582/

2.8

/100960/

65

/194/

66

/11943/

56

/33/

3.0

age 18+

Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.

poster

73

58

7.3

/1868/

72

/89/

65

/51/

3.5

/1997/

88

/8/

73

/68/

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

poster

74

16

7.5

/987/

74

/20/

70

/16/

3.4

/305/

83

/3/

Since the early days, Jerry Lewis—in the line of Chaplin, Keaton and Laurel—had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.

poster

?

7.2

/10/

10

/1/

With an all Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film.

poster

?

7.3

/40/

20

/1/

Behind the scenes of Hollywood's low-budget movie industry. It is a powerful portrait of the fragility of fame and the cost of stardom. B-pictures have long been the spawning ground of today's and tomorrow's stars. They started the careers of Jack Nicholson and Sylvester Stallone among many others, as well as now super star directors Francis Ford Coppola, Peter Bogdanovich, Ron Howard and James Cameron. The film examines the evolution of starry-eyed newcomers arriving in Hollywood and discovering the harsh reality of getting into pictures.

poster

?

48

/2/

Ever since he was a kid, Johnny Castle had a dream: to become a movie star. Driven by his obsession, Johnny moved to Los Angeles, and the corner of Hollywood and Vine Boulevards became his natural stage on which to promote himself. Johnny is absolutely convinced that some day a producer or a director will sign him for their next movie. Even though Johnny has this optimistic way of looking at life, in the three years since his move to Los Angeles he has only been able to get a small part in a science fiction B-movie. Very soon the movie will debut in the theaters, and Johnny wants to show the result of his work to his father, who lives in Chicago. He obtains a preview DVD copy of the movie from the director so that he'll be able to present it to his dad as a wonderful birthday surprise.

poster

52

?

5.6

/290/

56

/3/

41

/8/

55

Four high school friends believe the local myth that developer Swenson killed a kid for trespassing years earlier and got away with it. When one of the four friends disappears, the remaining three believe Swenson killed their friend and they take revenge. When their friend then shows up alive they must deal with the consequences of crossing the harsh line that separates fantasy from reality.

poster

62

?

6.7

/159/

60

/2/

53

/9/

This documentary celebrates the 100th anniversary of the cinema birth. It is an historic running through the technical and artistic evolution of the 7th art. We move from mute to sound, from B&W to color, trough all the genders (musical, Lyric, politic...). Beside it we have a kind of resume of the historic contest in which cinema lived till now, events and movements (neo-realism, classical etc.). All the aspects are taken in consideration: fashion, star system till the end, the sad end, of cinema in the theaters.

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