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poster

74

41

7.2

/1875/

71

/50/

71

/57/

3.8

/8716/

81

/4/

Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.

poster

72

24

7.5

/1294/

73

/23/

69

/20/

3.7

/480/

Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.

?

7.4

/30/

42

/4/

45

/2/

The aging police commissioner, who has a twenty-five-year-old fiancée, Olga, is disturbed at his sixtieth birthday party by the news from the administrator Psekov that his master, the cornet Klyausov, has been murdered. A commission, headed by an investigating judge, is sent to the estate of the debauched nobleman. The decisive evidence is a Swedish match.

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