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poster
Criterion Channel
84
7.6
/10989/
73
/241/
71
/236/
4.0
/18509/
96
/50/
85
/132/
94
/23/

Chimes at Midnight (1965)
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
poster
?
7.7
/26/

Falstaff (1979)
Götz Friedrich's charming, bawdy 1979 studio film of Verdi's comic masterpiece.
poster
?
6.3
/17/
40
/1/

Die lustigen Weiber (1936)
N/A
poster
?
5.6
/36/
10
/1/

The Merry Wives of Windsor (1980)
Sir John Falstaff in love? Chaos must inevitably follow.
poster
?
6.7
/10/
20
/1/

Muntra fruarna i Windsor (1998)
A light hearted adaptation of Shakespeare's play about middle class life in Elizabethan England.
poster
?
6.7
/8/
10
/1/

Falstaff (1987)
Based, in part, on Shakespeare's The Merry Wives of Windsor, Falstaff is Verdi's last work for the stage - and only his second comic opera. And yet the humour in this multilayered masterpiece is distinctly wry, for all the main characters exhibit an array of human weaknesses that are implacably exposed by Verdi and his librettist Arrigo Boito.
poster
?
7.3
/18/
10
/1/

Die lustigen Weiber von Windsor (1965)
When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.
poster
?
6.7
/57/
70
/1/

As Alegres Comadres (2003)
Scoundrel João Fausto, a former Portuguese officer, arrives in Tiradentes,in the State of Minas Gerais, Brazil. Using his status of former Imperial Court member, he tries to become lover of both ms. Lima and ms. Rocha, with the intention of taking their money.
poster
Kanopy
63
?
6.8
/183/
51
/5/
80
/2/

The Merry Wives of Windsor (1982)
When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is beseiged by suitors.
poster
?
7.6
/53/
33
/3/
57
/3/
60
/1/

The Merry Wives of Windsor (2011)
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both. But the women are up to the old lecher’s tricks and turn the tables on him with a series of humiliating assignations, midnight terrors and a very damp, extremely smelly laundry basket. Gutsy, colloquial and bustling with vivid characters, The Merry Wives of Windsor is a brilliantly constructed farce and the only comedy Shakespeare set in his native land. It is also the ancestor of English bourgeois comedy and gave birth to a tradition that reaches down to the modern TV sitcom. The production made merry with the relationship between the life of middle-class Elizabethan England and the late medieval period in which the play is set.
poster
?
8.5
/36/
36
/3/
80
/1/

Falstaff (2000)
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
poster
?
7.0
/37/
43
/3/
60
/1/

Faustão (1971)
A gang of bandits led by Faustão intervene in a fight between two members of rival families, the Pereiras and the Araújos. Henrique Pereira, son of Colonel Pereira, is wounded in an ambush. Faustão rescues him and demands the father to pay a ransom in exchange for the life of his son. The bandit makes it clear to Henrique that he is not a prisoner and that he is only obeying the law of the backlands. Lucena, a henchman working for the Araújos, finds Faustão and offers twice the amount being asked to the colonel in order to take Henrique as a prisoner, but the bandit refuses the offer. Colonel Henrique pays the ransom, but the son refuses to return home, even being aware of the feud between his family and the Araújos. The young man chooses to join the gang.
poster
?
6.1
/23/
10
/1/
70
/1/

The Merry Wives of Windsor (1950)
For the corpulent nobleman Sir John Falstaff, the inn in the small English town of Windsor is the best of all places. Here he can indulge in excessive dining and intemperate drinking, as well as swagger and boast about his adventures, particularly those of an amorous nature. At present, he has designs on the two young women, Mistress Reich and Fluth, who, in turn, lead the paunchy protagonist mightily by the nose.


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