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poster

69

6.9

/1155/

69

/24/

66

/16/

3.3

/3173/

88

/69/

53

/11/

68

/16/

3.0

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

poster

60

6.3

/51832/

66

/1770/

62

/900/

3.0

/24911/

53

/34/

44

/666/

46

/15/

3.5

age 17+

Dirty Harry Callahan returns for his final film adventure. Together with his partner Al Quan, he must investigate the systematic murder of actors and musicians. By the time Harry learns that the murders are a part of a sick game to predict the deaths of celebrities before they happen, it may be too late...

poster

28

21

3.5

/3888/

37

/38/

38

/53/

1.9

/1371/

8

/37/

15

/59/

Filmmaker Alan Smithee finds himself the unwilling puppet of a potentially bad big budget action film, for which he proceeds to steal the reels, and leaves the cast and crew in a frenzy.

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