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poster
The Roku Channel
76
69
7.7
/7808/
78
/295/
81
/166/
3.9
/11469/
82
/11/
65
/18/

1987: When the Day Comes (2017)
In January 1987, a 22-year-old college student dies during a police interrogation. Under the orders of Director Park, the police request the body to be cremated in order to destroy evidence. Public Prosecutor Choi, who was on duty on the day of the incident, denies the request and calls for an autopsy. The police maintain the lie that the death was a simple accident, resulting from shock. The autopsy results, however, point to torture as the cause of death. Yoon, a journalist following the case, reports that the death was a result of asphyxiation during torture. Director Park attempts to conceal the truth by ending the case, arresting two detectives including inspector Cho. While in prison, inspector Cho reveals the truth to prison guard Han Byung-yong, who embarks on a dangerous mission to relay the information to an opposition politician through his niece, Yeon-hee.
poster
?
5.9
/30/
20
/1/
57
/3/

Normal! (2012)
After the December riots and the first peaceful marches in Algeria, while the Arab Spring begins in Tunisia and Egypt, Fouzi wants to gather his actors to show them the unfinished editing of the film he made two years ago on the illusion of a young man who seeks to express his artistic ideas. He seeks another point of view, especially an end, and he relies on the reactions of the actors to invent a new resolution of his history, in a country suddenly raised by a wave of disputes. During the projection of the film, the debate takes place: what is the place of art creation in Algeria today? How to create something without confronting censorship? How to resist ? By making movies or walking in streets towards a new revolution? Two stories intertwine, fiction and reality? A new vision of the Algerian youth of today in full political and artistic questioning.
poster
?
7.6
/53/
56
/3/
60
/1/

Sunless Days (1990)
Director Shu Kei travelled to Venice, Canada, London and Hong Kong, collecting accounts of the Tiananmen impact. Among his interviewees are: award-winning Taiwanese filmmaker Hou Hsiao-hsien; Hong Kong director Alfred Cheung, a witness to the massacre; actress Deanne Ip, whose national consciousness is fired by the event; as well as his own brothers, one who soon migrates from Hong Kong, and the other, already an Australian emigre. Their personal testimonies are pieced together into a mural of the Chinese people united in their horror and outrage.


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