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poster
70
43
6.7
/5360/
69
/95/
60
/44/
3.4
/1939/
89
/2/

The Cake General (2018)
Set in 1984, Hans Pettersson (Hasse P.) decides to create the largest sandwich cake ever made in order to put his home town, Köping, on the map.
poster
65
34
6.9
/969/
63
/28/
63
/25/
3.4
/2329/

Wandering (2022)
In a park on a rainy evening, a 19-year-old university student, Fumi, offers an umbrella to a soaking wet 10-year-old girl, Sarasa. Realizing her reluctance to go home, Fumi lets her stay in his place, where she spends the next two months in peace.
poster
68
34
6.9
/1331/
71
/50/
65
/42/
3.2
/2510/
71
/3/

Psychobitch (2019)
Frida is different. Self chosen different. Marius, on the other hand is the most perfect boy in class, and likes to show off. When they have to work together at school, it's the start of a turbulent and challenging relationship. Generation Achievement meets impossible love.
poster
68
18
7.1
/287/
71
/10/
62
/17/
3.5
/766/

The Box (2017)
You have probably heard of the phrase “to think outside the box”? Well, this is a film about such a box and the flat-headed creatures that live inside of it. Life in the Box is boring and miserable. Until one day a new baby boy starts to grow in the middle of the Box! This boy is very different from other flat-headed inhabitants of the Box. He’s happy, lively and curious. As the boy grows bigger and bigger, the flat-headed neighbours are becoming more and more annoyed with him. Until one day when he literally grows over their heads.
poster
?
7.4
/55/
72
/4/
26
/3/

Of Love & Law (2017)
Fumi and Kazu have a lot to teach us about love. When they decide to stick their necks out and create the first LGBTQ+ law firm in Japan, they are drawn into the lives of people searching for protection and support. Despite their own relationship having no legal status, they work pro-bono for long hours, all the while foster-parenting a teenager. We meet with a colourful cast of misfits, dissidents and artists – from a delightful eccentric being prosecuted for her kitschy vagina sculptures, to a troubled outsider who, as the child of an ‘immoral woman’, has no legal identity. A saying is repeated throughout the film, that one must ‘read the air’ – conform to the tacit conservatism that forbids sexual diversity. With love, humour and serious legal chops, Fumi and Kazu do exactly the opposite.


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