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poster

85

7.9

/2548/

77

/72/

73

/39/

4.0

/2220/

99

/71/

90

/159/

82

/20/

4.0

Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.

poster

77

7.0

/495/

79

/31/

76

/13/

3.6

/789/

98

/42/

74

/5/

76

/14/

3.0

Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.

poster

68

6.9

/726/

56

/11/

62

/21/

3.4

/770/

88

/32/

89

/5/

63

/11/

2.0

An uncensored look into the artistic process and personal relationships of Christo, an artist known for his large-scale installations. For the first time since the passing of his wife and partner, Jeanne-Claude, Christo sets out to realize, The Floating Piers, a project they conceived together many years before.

poster

?

8.0

/11/

10

/1/

Beginning with their small wrapped objects of 1958, this portrait examines the continuously bold and ambitious artistic ventures of the enigmatic duo, CHRISTO AND JEANNE-CLAUDE. Though their large scale environmental projects, such as Running Fence and Wrapped Coast, are often met with distress and concern from the surrounding community, perceptions of the project are likely to shift when it comes time to interact with the grand, finished piece. Neither permanent nor purchasable, Christo and Jeanne-Claude’s works exude the essence of freedom and exist only for the sake of existing.

poster

?

6.9

/14/

70

/1/

70

/1/

Artists Bo Bartlett and Betsy Eby travel the country finding art in their surroundings before being unexpectedly forced to consider what it would mean to lose the ability to see.

poster

60

?

6.5

/140/

57

/4/

60

/8/

The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.

poster

?

7.0

/6/

40

/1/

Mono Lake is a document of a unique natural environment, a "home movie" of the artists' 1968 road trip, and an intimate view of three seminal figures in the earth art movement as they interact with the Western landscapes that are so central to their work.

poster

?

7.8

/87/

10

/1/

A documentary about artists Christo and Jeanne-Claude's 1991 grand-scale environmental art project in Japan and California.

poster

?

6.2

/58/

65

/2/

63

/3/

In southern Peru lies one of mankind's greatest mysteries - 1000's of giant shapes etched into the desert sands. We reveal who made them and why. Etched, as if by giants, onto the arid moonscape of Peru's southern desert lies one of man's greatest mysteries; the Nasca Lines. More than 15,000 geometric and animal-like patterns have been discovered criss-crossing the pampas like a vast puzzle. Who built them and what was their purpose? Ancient racetracks, landing strips for aliens, or perhaps a giant astronomical calendar? And are the Lines connected to the gruesome discovery of large cache's of severed human heads. Now, after decades of misunderstanding, modern archaeology may finally have the answer. Excavations in the surrounding mountains are uncovering extraordinary clues about the people who made them and why. A long since vanished people, called the Nasca, flourished here between 200BC and 700AD. But the harsh environment led them to extreme measures in order to survive.

poster

?

10

/1/

The broadcast (transmitted by Sender Freies Berlin/ARD, 10.40pm, 15 April 1969) begins with a studio-recorded opening that has something of the atmosphere of a vernissage. Following short speeches by Schum and Jean Leering, the director of the Stedelijk Museum, Amsterdam, the artists' contributions are shown with no commentary. The eight artists from different countries (Richard Long, Barry Flanagan, Dennis Oppenheim, Marinus Boezem, Robert Smithson, Jan Dibbets, Walter de Maria, Mike Heizer) co-operated closely with Schum. The filming concentrates on the works of art that are created in rural sites, and there is none of the usual TV portrayal of the artist in a ‹studio atmosphere.› The elaborate productions were shot in Europe and the USA. Schum expanded the message of the emergent Land Art movement, which avoided the conventional ‹studio – gallery – collector› distribution channels.

poster

61

?

7.2

/87/

40

/2/

65

/6/

3.5

/275/

The Maysles' third film about the artists sees them trying to get three projects off the ground: wrapping the Pont Neuf, the oldest bridge in Paris; wrapping the Reichstag; and surrounding eleven man-made islands in Florida with pink plastic sheets. As the latter is the only one that gets approval, it gets the bulk of this film.

poster

?

40 years after the completion of the work 'Broken Circle/Spiral Hill', the film that Robert Smithson was never able to finish due to his untimely death has been completed in collaboration between artist Nancy Holt and SKOR.

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