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poster

69

34

6.5

/459/

60

/21/

68

/10/

3.5

/1740/

100

/5/

54

/5/

Island of Haida Gwaii, northern Canada, 19th century. During a fishing gathering, Adiits'ii commits an unfortunate act. Tormented, he runs away to the wilderness as his mind embraces madness.

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71

28

7.3

/354/

60

/6/

65

/15/

3.8

/1063/

80

/5/

75

/3/

Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".

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?

8.2

/13/

Throughout the course of the Haida basketball season, leaders of iconic rez ball team the Skidegate Saints compete for two titles - defending their All Native Basketball Championship, while also battling for title to their land and waters with the government that stole it from them with the Indian Act.

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?

7.4

/9/

Set against the unforgettable beauty of Haida Gwaii (formerly known as the Queen Charlotte Islands), Memories of Earth takes viewers on a journey guided by traces of the past. The film records the meeting of two artistic worlds: that of the Haida, an indigenous people whose cultural life and mythology bespeak their belief in a tangible link between the real and the imaginary, and that of Frédéric Back, a master of animated film and committed humanist, whose works is an appeal to respect all things created. Through the magic of animation, the documentary casts fresh light on the legends and spirituality of the Haida.

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80

/1/

Haida Gwaii, an archipelago off the west coast of Canada, is home to Skil Jaadee and her family. They live in harmony with nature and have made it their mission to save their language and preserve their history.

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8.4

/12/

Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.

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?

6.8

/9/

10

/1/

When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

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10

/2/

Renowned Haida artist Bill Reid shares his thoughts on artistry, activism and his deep affection for his homeland in this heartwarming tribute from Alanis Obomsawin to her friend's life, legacy and roots.

poster

?

6.2

/28/

10

/1/

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.

poster

?

80

/1/

The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.

poster

?

7.3

/52/

50

/1/

50

/2/

100

/5/

Denizens of the British Columbia archipelago unite to protect their land.

poster

?

7.8

/38/

80

/3/

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

poster

?

7.1

/43/

60

/1/

As a young fisherman cruises along a rugged shoreline, a tiny mouse in Haida regalia appears and starts to knit a blanket. A story unfolds on the blanket as it grows longer, illustrating the ancient tale of Haida master sea hunter Naa-Naa-Simgat and his beloved, Kuuga Kuns. When a SGaana (the Haida word for “killer whale”) captures the hunter and drags him down into a supernatural world, the courageous Kuuga Kuns sets off to save him. Will the lovers manage to escape the undersea Mountain of SGaana, or will they, too, become part of the Haida spirit world forever?

poster

?

8.0

/18/

In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.

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Filmmaker Charles Wilkinson gives viewers an immersive look at that potlatch, a jubilant gathering that finds the members of many Haida clans celebrating the revitalization of their cultural traditions as caretakers of the land.

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Famed Haida artist Robert Davidson carves his latest monumental totem pole and gives a rare insight into the deeper meanings of North Coast Indigenous art works.

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The Tlingit and Haida people of Alaska were confused by the idea of America “buying” the land they lived on from the Russians. They would be among the first native people to make a successful claim on their homeland and rights.

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The Indigenous peoples of northern British Columbia still hunt and fish, using a combination of traditional ways and modern equipment and techniques where appropriate. Lumbering and trapping bring them money and goods. Their traditional arts and crafts, however, remain essentially unchanged. This archival film reflects the social and cultural values and beliefs prevalent at the time of production.

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A new documentary that follows master Haida weaver Delores Churchill on a journey to replicate a spruce root hat discovered with the Long Ago Person Found. The 300-year-old traveler was discovered in British Columbia and DNA testing discovered living descendants in Canada and Alaska. Her search crosses cultures and borders, and involves artists, scholars and scientists. The project raises questions about understanding and interpreting ownership, knowledge and connection.

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Retake follows the journey of co-directors Gwaai Edenshaw (Haida) and Helen Haig-Brown (Tsilhqot'in) as they work to produce The Edge of the Knife, a feature-length film told entirely in the critically-endangered Haida language. The film tells the story of a traditional Haida legend, showcasing the Haida culture in many ways that have never been seen by a broad audience.

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For Indigenous peoples the totem pole is the symbol of life, portraying the relationship between humans and animals. Fitting into the landscape of British Columbia, these monuments, witnesses to an ancient and powerful culture, look down at us. The group "Indians of British Columbia" singing group provide a powerful soundtrack as Haida and Tsimshian people talk about poles in their communities.

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Follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.

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Describes the natural resources of Haida Gwaii and its relationship with the Haida. The video opens with a creation myth and develops in a chronological manner. Each section deals with a resource area and how the Haida have lived in balance with it. It briefly discusses current forestry issues and land rights

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An imaginative take on the origin story of Bill Reid, one of Canada’s most iconic Haida artists.

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Juskatla weaves together perspectives of the people who live on the islands of Haida Gwaii-an archipelago on Canada's Northwest coast, and the ancestral territories of the Haida Nation. From industrial loggers who harvest trees from ancient forests, to Sphenia Jones, a Haida matriarch who bears an intimate knowledge of her People's territories, Juskatla meditates on the divergent ways of being that shape the islands and its people.

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Filmed on the island of Haida Gwaii, this documentary depicts the ongoing resistance and resurgence of the Haida people and their culture against the different manifestations and trauma of colonization.

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