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poster

65

30

6.1

/418/

60

/2/

73

/5/

79

/39/

53

/10/

65

/14/

"Washington Heights" tells the story of Carlos Ramirez, a young illustrator burning to escape the Latino neighborhood of the same name to make a splash in New York City's commercial downtown comic book scene. When his father, who owns a bodega in the Heights, is shot in a burglary attempt, Carlos is forced to put his dream on hold and run the store. In the process, he comes to understand that if he is to make it as a comic artist, he must engage with the community he comes from, take that experience back out into the world, and put it in his work.

poster

42

21

3.4

/1811/

50

/35/

53

/43/

31

/11/

A restaurant owner leads a double life.

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20

/1/

55

/2/

1 minute experimental film.

?

55

/2/

20 minute experimental film.

?

55

/2/

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

?

30

/1/

55

/2/

Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.

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55

/2/

Perception becomes reality, forcing reality to lose perception, crash, and burn.

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55

/2/

7 minute experimental film.

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55

/2/

10 minute experimental film.

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55

/2/

5 minute experimental film.

?

55

/2/

4 minute experimental film.

?

55

/2/

5 minute experimental film.

?

55

/2/

6 minute experimental film.

?

50

/1/

100

/1/

REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.

poster

?

55

/2/

Scroll][Stop{{Scroll}}Stop/}{~Scrollllllll

?

55

/2/

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

?

10

/1/

55

/2/

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.

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55

/2/

Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.

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55

/2/

10 minute experimental film. Warning: this video involves frequent strobing.

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20

/1/

55

/2/

3 minute experimental film.

poster

?

50

/1/

62

/4/

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.

poster

?

60

/1/

An ill-tempered businessman learns the true meaning of his favorite dirty word.

?

80

/1/

55

/2/

"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."

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35

/2/

55

/2/

1 minute experimental film.

?

100

/1/

55

/2/

3 minute experimental film.

?

55

/2/

4 minute experimental film.

poster

?

70

/1/

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

poster

?

50

/1/

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

?

26

/3/

55

/2/

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

poster

?

100

/1/

The lights and characters of Fortaleza's nightlife blend into a sensory experience through images stored in the memory of the devices.

poster

?

50

/1/

10

A person desperately searches for their lost little brother during a Memorial Day festival in this one take POV thriller

poster

?

35

/2/

A narrative self-discovery theme done in real time in Art Nouveau style.

poster

?

20

/1/

A documentary following Zhou Yuanquiang, a cultural worker in Jingdezhen, China who makes movies with untrained local actors.

poster

?

7.7

/8/

70

/1/

60

/1/

A documentary that records the daily life of a mother with a limited life expectancy and a grandmother, directed by the daughter, Haruyo Kato.

poster

?

7.3

/25/

55

/2/

A documentary with the three cinematographers known for breaking away cinema away from celluloid with the introduction of digital video.

poster

?

7.8

/99/

60

/3/

70

/5/

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

poster

?

20

/1/

100

/1/

I really hope this is well-received. I really hope there's some sort of reprieve.

poster

?

10

/1/

100

/1/

Setting, settling; still seething as I barely breathe.

poster

?

10

/1/

100

/1/

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

poster

?

10

/1/

100

/1/

Radical recurrences & rancorous requests raze my daze.

poster

?

20

/1/

100

/1/

Remembrances past, remind me to pass.

poster

?

30

/1/

100

/1/

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

poster

?

20

/2/

100

/1/

Onward, upward, greener [redder] grasstures.

poster

?

10

/2/

100

/1/

Running up that [mountainous-outcropping] because there is none of this that's stopping.

poster

?

40

/1/

100

/1/

Say Om as you reach home only to realize you never really left/stopped saying Om.

poster

?

30

/1/

100

/1/

Still it's really tall. Still it's really floundering/falling/fading.

poster

?

20

/1/

100

/1/

Rather pointless, rather stilted, fetid; not what we want us going after.

poster

?

10

/1/

100

/1/

Strings together what's strung together (please use yr tether).

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