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poster

80

7.9

/669/

76

/10/

75

/5/

3.8

/1704/

100

/14/

3.0

Intercepted is a journey through Ukraine that reveals the banality of evil behind the Russian invasion with the shocking juxtaposition of two realities: the Ukrainians who have been suffering and resisting the war violence, and the Russian military, and civilians, who have been perpetrating it.

poster

?

50

/1/

In the isolated parking lot of a small provincial town, a carnival is setting up. It's a refuge for Cécilia and Ludo, who wait for it all year long. Between the shooting gallery and the coconut shy, they can finally escape. But when Ludo gets the opportunity to fulfill his dream of becoming a carnival worker, the prospect of his departure puts their relationship to the test. Torn between love and his desire to move away, Ludo faces a difficult choice. Les amours parapluies is a captivating tale of an unexpected romance, a simple yet profound reflection on relationships and the possibility of living your dreams.

poster

?

80

/1/

For forty years, a filmmaker has obsessively collected magazine covers, articles, and photographs of Isabelle Adjani, carefully cutting and pasting them into large notebooks — now reaching volume 42. Les Cahiers d’Adjani transforms this lifelong fan devotion into a cinematic exploration of memory, obsession, and the passage of time. As the director finally dares to turn his camera toward his own secret archive, the film unfolds as both an intimate self-portrait and a reflection on fame, desire, and the fragile bond between artist and admirer. Through these meticulously crafted “cahiers,” it becomes a story of objects, collectors, family, and the strange ways in which a life can be shared with a star through images.

poster

?

8.1

/10/

87

/3/

Watchman Guangdong and his wife Baoyan have devoted their lives to their only son, Zhaohang. When he leaves China to pursue a music career at the Estonian Academy of Music and Theatre, the couple must confront the emotional void his absence creates. Through phone calls, they try to guide Zhaohang from afar, but his journey is shaped by both his deep desire to please his beloved father and his own personal ambition.

poster

?

6.1

/17/

85

/8/

Edouard and Suzanne Mouradian often babysit their grandchildren. Grandad plays violent computer games and we see him entrust his frustrations – that often end in violent fantasies and thoughts of genocide – to the PC in writing.

poster

?

An intimate and political journey through Donna Gottschalk's personal archives—photographs, contact sheets, audio cassettes, letters, diaries. Based on interviews conducted by Hélène and previously unpublished documents, the film traces the lives of Donna and some of her loved ones. The voices of Donna, her sister Myla, and friends like Jill intertwine, composing a choral and fragmentary narrative, where the intimate meets collective history. The film recreates an era—that of a generation of queer women who were committed, precarious, and often invisible.

poster

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N/A

poster

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The Atlantic Ocean, 1952. French oceanographer Anita Conti documents the turbulent life of a trawler crew. She returns with writings, photographs and 16mm films that recount the power of the ocean, the men’s hard labour and the slimy fish entrails. Louise Hémon reworks this unique material to reveal its full breadth and beauty.

?

In a tiny lane of Mumbai's slums, sounds of spirited arguments spill out from a modest storefront. Inside, a young man and woman sit on the floor, and a group of barefoot women preside over the scene from atop a wobbly desk. A divorce negotiation is underway. Overseeing the paperwork of a couple's separation is 63 year-old Khatoon. Few years prior, she opened the first Women's Sharia Court in India. Fed-up with the traditional all-male Muslim councils whose interpretations of Islamic law have discriminated against women, she decided to train herself as an Islamic judge to give women a space for seeking justice. Every day, she welcomes couples in crisis. She listens as they narrate their conflicts before offering advice. Glowering under their veils, the women plaintiffs are indignant and brave. In the form of a courtroom drama, this filmic chronicle showcases the strength with which Khatoon handles, with poise and breathtaking calm, these intense demonstrations of emotions.

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