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poster
?
4.5
/15/
35
/2/
52
/4/

Reasons for Knocking at an Empty House (1983)
Viola experimental short
poster
?
7.4
/13/

The Raft (2004)
A small crowd of people are gathered in wait when they are suddenly struck by a massive onslaught of water.
poster
?
7.7
/13/
80
/1/

Tristan’s Ascension (The Sound of a Mountain Under a Waterfall) (2005)
The ascent of the soul in the space after death as it is awakened and drawn up in a backwards flowing waterfall.
poster
58
?
6.4
/66/
36
/3/
63
/7/
3.5
/287/

Anthem (1983)
A series of shots depicting "America" are laid over a classic Gregorian Chant recreated through the distortion of a woman's screams.
poster
?
6.7
/68/
52
/4/
64
/5/

Hatsu Yume (First Dream) (1981)
With a title referring to Japanese folklore, wherein things done on the first day of a new year are significant, the film - an ardent dream entirely shot in Japan - stands as a spiritual allegory equating light and dark with life and death.
poster
64
?
6.8
/115/
50
/4/
67
/6/
3.6
/258/

I Do Not Know What It Is I Am Like (1986)
"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The segment features material from "Il Corpo Scuro (The dark body)" - animals and natural environments are seen up close and at a distance.
poster
?

Going Forth By Day (2002)
The film is a five-part projection-based installation, which addresses the complexity of human existence through the themes of individuality, society, death and rebirth. Each video is projected directly onto the wall of the exhibition space, just as paint from a fresco adheres to the surface of a plaster wall.


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