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It is the first film produced at the extinct ICA (Instituto Central de Artes), in a co-production between UnB (Universidade de Brasília) and the also extinct INC (Instituto Nacional de Cinema). Held at the Festa do Culto ao Mito do Divino Espírito Santo in Pirenópolis, state of Goiás, in 1968, it was completed in 1969, in Rio de Janeiro. The film is extremely important for the memory of Brazilian popular culture and the state of Goiás, as it is a work of art about this popular festival, and not just a documentary record, as it reflects its cultural character. Today the party is considered Cultural Heritage of Brazil by IPHAN.

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In a diatopic and retro-futuristic Brazil, time has passed and technology has lost credibility. With the return of Papelada, João is hired to be the sole employee of an organization whose real objectives he does not know.

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In a ghost town of Salvador da Bahia and in an undefined period of time, Cleo sees herself pierced by two antagonic feelings: the loneliness of the physical and political ruins from an once free place, and the hope she keeps in the last relationship that remains in her life - a childhood friend, perhaps an old and latent flame.

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A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.

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For decades, Brasilia was the stage of an iconic radio station. On its last day on the air, the few but captive listeners did not know that it was the end.

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Upon moving into a new apartment, a young woman finds herself surrounded by strange events. Curious about the reasons behind the occurrences, the young woman is sucked into memories and daydreams, remembrances and forgetfulness, places and non-places.

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Dad goes birdwatching. His son then decides to follow and film him.

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