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poster
?
6.3
/31/
10
/2/
42
/4/

Where the Circle Ends (1956)
A woman murders her lover. Her husband and his mistress are also having murder-shaped thoughts, and their three counterplots all get tangled together. Everybody loses.
poster
?
6.0
/30/
10
/1/
48
/5/

El vendedor de muñecas (1955)
A man sells his wife, and takes care of street women turning them into ladies to sell to rich men.
poster
?
6.8
/22/
35
/2/
80
/5/

Dos mundos y un amor (1954)
Cultural differences cause tensions in an international marriage.
poster
?
7.2
/30/
10
/1/
37
/3/

Una mujer en la calle (1955)
An implausible accident causes a street prostitute to become close friends with an aristocratic old lady.
poster
56
?
6.9
/115/
43
/3/
58
/6/

Talpa (1956)
Produced on a grand scale, the Mexican Talpa relates the simple story of two brothers. The older of the siblings, Tanilo (Victor Manuel Mendoza) is a well-to-do family man; the other, Estaban (Jamie Fernandez), is one step above a wastrel. When Tanilo is felled by illness, Estaban is forced to take over the family's blacksmith business. He also inaugurates a romance with Tanilo's attractive young wife Juana (Lilia Prado). Punishment is eventually doled out in a manner which suggests that God Himself is exacting retribution on the adulterous couple. Originally released at 87 minutes, Talpa was pared down to 73 minutes for American consumption.


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