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We Still Have to Close Our Eyes (2019)
John Torres repurposes documentary footage captured from the sets of various Filipino productions (including the likes of Lav Diaz and Erik Matti) into an eerie, elliptical sci-fi narrative about human avatars controlled by apps.
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Nowhere Near (2023)
A culmination of several years of shooting, editing, relocation, and reflection—acclaimed experimental filmmaker Miko Revereza forges a personal and profound portrait of immigration, disillusionment, and the elusiveness of home.
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Dominion (2023)
Landscapes, things, men, women and children taken by an "evil eye" more than a century ago haunt the present in this jagged reverie. A persona voicelessly narrates, via captions, going through colonial photographs, digresses to eating fruit and entering a cave on a tropical vacation island.
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Mapang-Akit (2011)
"Mapang-akit" is an offshoot of a documentary project made with an Icelandic filmmaker and uses the outtakes from the Hudas Hudas festival in Antique, where a community bonds over a large effigy of Judas Iscariot during Holy Week. Amidst it is a found story of a man who returns home to his death after pursuing a woman in a neighboring village.
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Study on Lukas in Lukas the Strange (2012)
Village miracles caught on tape: images of a river that must be crossed to erase heartaches, imagined with a boy who has never experienced sorrow.


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