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poster

74

27

7.4

/387/

71

/15/

77

/13/

3.8

/1799/

The Flying Train depicts a ride on a suspended railway. The footage is almost as impressive as the feat of engineering it captures. For many years our curators believed our Mutoscope rolls were slightly shrunken 70mm film, but they were actually shot on Biograph’s proprietary 68mm stock. Formats like Biograph’s 68mm and Fox’s 70mm Grandeur are of particular interest to researchers visiting the Film Study Center because the large image area affords stunning visual clarity and quality, especially compared to the more standard 35mm or 16mm stocks.

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50

/1/

In a twist on the “Baby Incubator” phenomenon of the age, a fall into a slop pit gives a heavyweight farmer the power to incubate chicken eggs on his belly, much to the delight and advantage of his neighbors.

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50

/1/

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6.5

/22/

10

/1/

Actuality scenes of Berlin circa 1910.

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4.1

/16/

A German warship.

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3.8

/19/

40

/1/

A military parade through Berlin.

poster

?

3.1

/33/

40

/1/

A splendid view of the color companies of the Gardes Regiments passing in review before Emperor William and his royal guests in front of the Zeughaus, Berlin, on the occasion of the 200th anniversary of the foundation of the Kingdom of Prussia.

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A traumatized man returning home from war discovers that his wife has slipped into the underclass.

poster

?

5.2

/10/

30

/2/

A woman's inattention results in her daughter's being run over and killed. Grief and guilt drive her mad.

poster

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5.7

/33/

46

/3/

Filmed on a mountain railway from Caux to Rochers de Naye, Switzerland. Originally filmed in 68mm. The film was advertised as being available in 'standard Edison gauge' (35mm) at a total length of 620ft, which included both ascent and descent. The surviving combined 35mm footage (from 68mm originals) equals 519ft. The original German title is unknown.

poster

?

4.8

/44/

46

/3/

60

/1/

A busy street in Berlin.

poster

?

5.6

/39/

50

/3/

Filmed on a mountain railway from Caux to Rochers de Naye, Switzerland. Originally filmed in 68mm. The film was advertised as being available in 'standard Edison gauge' (35mm) at a total length of 620ft, which included both ascent and descent. The surviving combined 35mm footage (from 68mm originals) equals 519ft. The original German title is unknown.

poster

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5.2

/39/

45

/2/

60

/1/

Women bathing in a german bath.

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5.3

/48/

40

/2/

80

/1/

A very amusing picture, showing a crowd of children and old folks disporting on a sand hill in one of the big public parks of Berlin. This picture is one of the "hits" of the Biograph.

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3.5

/14/

20

/1/

Only the visual elements are known to survive from this 1908 recording of a duet from Franz von Suppe's early one-act operetta. As is usual with these recordings, the principal performers take center stage, face the camera directly, and let fly. There are other cast members in the background, providing a drunken chorus.

poster

?

4.0

/17/

30

/1/

German Tonbild.

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4.7

/13/

In the first scene, a gentleman invites a lady to a ball, in the second they are dancing after the ball in a restaurant - slightly drunk - with the resulting consequences for the restaurant.

poster

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5.0

/14/

German film.

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A dancer obtains the pardon of a conspirator.

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3.2

/12/

Military parade in Germany.

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7.0

/7/

Prison break. A murderer seeks refuge inside a barn.

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What Belongs to Darkness (German: Die Finsternis und ihr Eigentum) is a 1922 German silent drama film directed by Martin Hartwig and starring Karl Etlinger, Erra Bognar, and Fritz Kortner. The film's sets were designed by the art director Alfred Columbus.

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