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Action
Adult
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Talk Show
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Anime: Boys' Love (Yaoi)
Anime: Historical
Anime: Isekai
Anime: Josei
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Anime: Mecha
Anime: Military
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Anime: Samurai
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[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Hausa
Hebrew
Herero
Hindi
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kannada
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Malayalam
Maltese
Mandarin
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndebele
Ndonga
Nepali
No Language
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tamil
Tatar
Telugu
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
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Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
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Zhuang
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Afghanistan
Aland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antigua
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia
Botswana
Bouvet Island
Brazil
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Brunei
Bulgaria
Burkina Faso
Burma
Burundi
Caicos Islands
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos Islands
Colombia
Comoros
Congo Brazzaville
Congo
Cook Islands
Costa Rica
Cote Divoire
Croatia
Cuba
Cyprus
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Ethiopia
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Falkland Islands
Faroe Islands
Fiji
Finland
France
French Guiana
French Polynesia
French Territories
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guadeloupe
Guam
Guatemala
Guinea-Bissau
Guinea
Guyana
Haiti
Heard Island
Honduras
Hong Kong
Hungary
Iceland
India
Indian Ocean Territory
Indonesia
Iran
Iraq
Ireland
Israel
Italy
Jamaica
Japan
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macau
Macedonia
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mayotte
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Namibia
Nauru
Nepal
Netherlands Antilles
Netherlands
New Caledonia
New Guinea
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
Northern Mariana Islands
Norway
Oman
Pakistan
Palau
Palestine
Panama
Paraguay
Peru
Philippines
Pitcairn Islands
Poland
Portugal
Puerto Rico
Qatar
Reunion
Romania
Russia
Rwanda
Saint Helena
Saint Kitts and Nevis
Saint Lucia
Saint Pierre
Saint Vincent
Samoa
San Marino
Sandwich Islands
Sao Tome
Saudi Arabia
Senegal
Serbia
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
Spain
Sri Lanka
Sudan
Suriname
Svalbard
Swaziland
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timorleste
Togo
Tokelau
Tonga
Trinidad
Tunisia
Turkey
Turkmenistan
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom
United States
Uruguay
Us Minor Islands
Us Virgin Islands
Uzbekistan
Vanuatu
Vatican City
Venezuela
Vietnam
Wallis and Futuna
Western Sahara
Yemen
Zambia
Zimbabwe
Country to exclude
Exclude Country
Afghanistan
Aland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antigua
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia
Botswana
Bouvet Island
Brazil
British Virgin Islands
Brunei
Bulgaria
Burkina Faso
Burma
Burundi
Caicos Islands
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos Islands
Colombia
Comoros
Congo Brazzaville
Congo
Cook Islands
Costa Rica
Cote Divoire
Croatia
Cuba
Cyprus
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
United Kingdom
Equatorial Guinea
Eritrea
Estonia
Ethiopia
European Union
Falkland Islands
Faroe Islands
Fiji
Finland
France
French Guiana
French Polynesia
French Territories
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guadeloupe
Guam
Guatemala
Guinea-Bissau
Guinea
Guyana
Haiti
Heard Island
Honduras
Hong Kong
Hungary
Iceland
India
Indian Ocean Territory
Indonesia
Iran
Iraq
Ireland
Israel
Italy
Jamaica
Japan
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macau
Macedonia
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mayotte
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Namibia
Nauru
Nepal
Netherlands Antilles
Netherlands
New Caledonia
New Guinea
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
Northern Mariana Islands
Norway
Oman
Pakistan
Palau
Palestine
Panama
Paraguay
Peru
Philippines
Pitcairn Islands
Poland
Portugal
Puerto Rico
Qatar
Reunion
Romania
Russia
Rwanda
Saint Helena
Saint Kitts and Nevis
Saint Lucia
Saint Pierre
Saint Vincent
Samoa
San Marino
Sandwich Islands
Sao Tome
Saudi Arabia
Senegal
Serbia
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
Spain
Sri Lanka
Sudan
Suriname
Svalbard
Swaziland
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timorleste
Togo
Tokelau
Tonga
Trinidad
Tunisia
Turkey
Turkmenistan
Tuvalu
Uganda
Ukraine
United Arab Emirates
United States
Uruguay
Us Minor Islands
Us Virgin Islands
Uzbekistan
Vanuatu
Vatican City
Venezuela
Vietnam
Wallis and Futuna
Western Sahara
Yemen
Zambia
Zimbabwe
Budget
Revenue
Production Country to include
Include Country
Afghanistan
Aland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antigua
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia
Botswana
Bouvet Island
Brazil
British Virgin Islands
Brunei
Bulgaria
Burkina Faso
Burma
Burundi
Caicos Islands
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos Islands
Colombia
Comoros
Congo Brazzaville
Congo
Cook Islands
Costa Rica
Cote Divoire
Croatia
Cuba
Cyprus
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
United Kingdom
Equatorial Guinea
Eritrea
Estonia
Ethiopia
European Union
Falkland Islands
Faroe Islands
Fiji
Finland
France
French Guiana
French Polynesia
French Territories
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guadeloupe
Guam
Guatemala
Guinea-Bissau
Guinea
Guyana
Haiti
Heard Island
Honduras
Hong Kong
Hungary
Iceland
India
Indian Ocean Territory
Indonesia
Iran
Iraq
Ireland
Israel
Italy
Jamaica
Japan
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macau
Macedonia
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mayotte
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Namibia
Nauru
Nepal
Netherlands Antilles
Netherlands
New Caledonia
New Guinea
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
Northern Mariana Islands
Norway
Oman
Pakistan
Palau
Palestine
Panama
Paraguay
Peru
Philippines
Pitcairn Islands
Poland
Portugal
Puerto Rico
Qatar
Reunion
Romania
Russia
Rwanda
Saint Helena
Saint Kitts and Nevis
Saint Lucia
Saint Pierre
Saint Vincent
Samoa
San Marino
Sandwich Islands
Sao Tome
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
Spain
Sri Lanka
Sudan
Suriname
Svalbard
Swaziland
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timorleste
Togo
Tokelau
Tonga
Trinidad
Tunisia
Turkey
Turkmenistan
Tuvalu
Uganda
Ukraine
United Arab Emirates
United States
Uruguay
Us Minor Islands
Us Virgin Islands
Uzbekistan
Vanuatu
Vatican City
Venezuela
Vietnam
Wallis and Futuna
Western Sahara
Yemen
Zambia
Zimbabwe
Gernsis
Kosovo
Czechoslovakia
Soviet Union
Production Country to exclude
Exclude Country
Afghanistan
Aland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antigua
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia
Botswana
Bouvet Island
Brazil
British Virgin Islands
Brunei
Bulgaria
Burkina Faso
Burma
Burundi
Caicos Islands
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
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IMDb
4.0
/13/
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Professor Vaman M.Sc (1938)
Using the moon’s rays, Professor Harnam invents a potion that turns man into a murderous beast. His brother Professor Vaman, realizing the dangers of this invention, realizes the urgent need of producing an antidote to avoid disaster. However, it is too late as Harnam’s daughter drinks the potion during a quarrel with her lover Detective Kishore and the city begins to witness a murder spree amongst its elite and wealthy citizens.
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Armaan (1942)
Set in 1910, its modern hero, Kanwal (Motilal), invents a ray that records pain and pleasure photographically. His experiments render him blind. Country lass Meera (Shamim) tends to him and they fall in love. Later Meera meets a sage (Shah) who has an expensive magic potion that cures blindness. Unable to afford it, Meera kills the sage, grabs the medicine and goes to Kanwal’s house while all nature protests her actions. There the evil Diwan (Bhagwandas) and his accomplices steal the medicine, cure Kanwal and take the credit. Kanwal, who can now see but does not recognise Meera, accuses her of murder but eventually realises the truth.
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Shankar Parvati (1943)
A dance-based mythological featuring Shankar (Arun), the triad in the Hindu pantheon (sometimes equated with Dionysus), who dances the Tandava, the dance of destruction, when his wife Sati kills herself after she is humiliated by her father. He then retires into meditation from which he has to be awoken to rid the world of the demon Tarakasura. The seductive powers of Sati, reborn as Parvati (Bose), liven up Shankar but she has to pay for this by doing extensive penance, after which she can be accepted again by her husband as a real wife, partly through the divine intervention of Vishnu.
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Veer Babruwahan (1934)
In this mythological tale, Babruwahan, son of Arjuna, returns from the Mahabharata war. He defiantly stops a horse from his father's army, leading to a battle in which he beheads Arjuna. As he prepares to commit suicide, Krishna appears, instructing him to retrieve the magical Sanjivani Mani from the land of the serpents to revive his father. This quest pits him against Ullupi, the serpent king's daughter and a former wife of Arjuna. When she surrenders the Mani but takes Arjuna's head instead, Krishna is forced to intervene to resolve the situation.
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Premi Jogan (1931)
Amar (Bilimoria) and Ila's (Shantakumari) love is disrupteted by the dashing Samar (Ishwarlal). The rivals get embroiled in the Kashmir war and Samar dies in Amar's arms. Amar returns to find that Ila has become an ascetic but they eventually get married.
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Radha Rani (1930)
Betaab's best-known script tells of Radha (Gohar), a carefree rural belle who is supposed to marry childhood friend Gopal, but instead falls in love with a stranger who turns out to be the missing Prince Vijaysingh. When Ihe king despatches soldiers to recover the prince, Vijaysingh discards the pregnant Radha. She is attacked by the villagers for her immorality and eventually appears before the prince, her former lover, in court where she refuses to denounce him. Her child dies, she becomes a prostitute and eventually dies in the arms of the prince.
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The Kick (1939)
A cautionary tale about wealth not bringing happiness. The blind Mohan (Kumar) lives in a village with his ward Radha (Madhuri). He wins a fortune with a sweepstake ticket sold to him by the tramp Ramesh (Charlie), who claims his due and begins to take over Mohan’s life, making him move to the city and getting him married to Chinta, a prostitute. When Mohan’s eyesight is restored, he finds that his wife is having an affair with Ramesh. Mohan takes revenge and eventually lands up in his old village, a poor man, but with Radha still unchanged, waiting for him.
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Naughty Girl (1934)
An adventorous drama centered on a bold, rebellious, and unconventional female protagonist
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Sitamgarh (1934)
The tyrannical Jabbar attacks a village and kidnaps the son of the devout Sayyed, named Iqbal. Raised by his captor, Iqbal becomes a tyrannical commander in Jabbar's army, forcing people to accept Jabbar as their god. During a campaign, he meets a group of "true" religious believers led by Sadiq, his daughter Sadika, and Princess Hamida. Hamida falls in love with Iqbal, much to the dismay of her suitor, Shaddad. As the plot unfolds, Iqbal learns of his true ancestry and is faced with a profound choice.
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Gunsundari (1934)
Gunsundari, the dutiful wife, acts as savior for her troubled joint family. Her father-in-law Shyamaldas battles alcoholism and accusations, while her husband Chandrakant falls prey to villains and a prostitute, losing his property. Gunsundari also aids her sister-in-law Sushila through marital woes, facing personal trouble due to a secret. Destitute, she eventually reunites with a similarly down-on-his-luck Chandrakant on the streets. A coincidence ultimately reveals Shyamaldas left his property to his estranged son, leading to a happy ending.
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Adhuri Kahani (1939)
The educated Harbala battles the oppressive traditionalism of her husband, Seth Gopaldas. Desperate for her children, Somnath and Neelam, to live freely, her frustration leads to a tragic act. Haunted by guilt, her children ultimately follow. The film, aptly titled "The Unfinished Tale," suggests hope for a more liberated future.
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Sipahi Ki Sajni (1936)
Gohar-centered adventure movie. She is the ruthless Princess Hansa determined to acquire a treasure map from rival King Sujansingh (Bawa). She daringly steals the map but the king's misogynist son, Dilipsingh (Bilimoria), manages to get it back. Together they are caught by the outlaw Vijay (Ishwarlal) who also wants the treasure. The film was replete with sword fights, tribal magic and a horse battle at the end when Sujansingh attacks his former friend Vijay to find his imprisoned son.
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Prabhu Ka Pyara (1936)
A melodrama suggesting that atheism is not a desirable option. Heroine Kusum (Gohar), the daughter of atheist millionaire Gumanchand (Bawa), is forced on to the streets when her father is jailed for fraud. She eventually meets the rich Rasiklal (E. Bilimoria), joins the stage and encounters her father once more when he tries to save her from a fire. The atheist father invokes the Almighty to save his daughter, but although she is saved she loses her eyesight. Other characters include the God-fearing but crooked tutor Indulal (Sandow) who later turns into a nice man after all, and Padma (Khatun), who exploits Rasiklal’s alcoholism to the benefit of her lover, Pyarelal.
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Keemti Aansoo (1935)
A tearful melodrama about a progressive writer, Pushpa (Gohar), and her weak husband, Kulin (Billimoria). She has to fight her domineering mother-in-law and the tyrannies of a conservative household. When falsely accused of theft and infidelity by her wayward sister-in-law Gulab, Pushpa is forced out of the house. In her final state of penury, she recalls the examples of the great female Saint-Poets of Indian history, like Meerabai. Secondary characters are used to caricature Bombay's merchant class e.g. Mahatma Ramanand Adambar, a fortune-teller who suspects his wife of infidelity, and a gold collector called Prof. Pyarelal.
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Desh Dasi (1935)
A jaded socialite, Vinakumari, and her lover, Dr. Rasik, discover purpose at a Gandhian ashram. Vinakumari dedicates herself to the poor as the ashram battles challenges from urban temptation to famine and greedy landlords. Dr. Rasik eventually joins the cause, bringing much-needed medical aid to the struggling community.
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Barrister's Wife (1935)
Lily and Vasant's suicide pact is thwarted, leading to Lily's forced marriage. She cares for an invalid Vasant, causing her husband to disown her and ban her from their daughter, Indu. Years later, their paths collide. Lily, now a servant, meets Vasant again, who is painting her lawyer daughter, Indu. Their renewed death pact leads to Vasant's death and Lily's arrest. In a dramatic trial, Indu defends Lily, facing her boyfriend (the prosecutor) and her father (the judge).
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Vish Kanya (1943)
An Indian film drawing on the ancient concept of the "poison maiden." It depicted a mysterious and dangerous woman whose very touch or presence could be lethal.
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The Guest (1942)
An early Indian social drama revolving around a visitor or unexpected arrival whose presence impacts the lives of others, likely leading to drama, complications, or revelations within the household.
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Fariyaad (1942)
An early Indian drama centered on a grievance or plea for justice
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Dukh Sukh (1942)
An early Indian drama, exploring themes of happiness and sorrow in everyday life, as its title ("Dukh Sukh" translates to "Pain Happiness" or "Sorrow Joy") suggests.
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India Today (1940)
The story of two brothers, Dhiraj and Shashi, and their rivalry. The cunning Dhiraj mortgages their ancestral property, causing complications for his innocent brother Shashi and their family. The plot also explores the contrast between rural (Unmad village) and city life, as both brothers originate from Calcutta.
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Krishna Sudama (1933)
A mythological tale tells the cherished tale of Lord Krishna, the divine king of Dwarka, and his impoverished childhood friend, Sudama. Despite their vastly different lives, their pure bond of friendship endures. The story portrays Sudama's reluctant visit to Dwarka and Krishna's miraculous, selfless blessing upon his devoted friend.
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Moorti (1946)
A sculptor falls for an amnesiac woman found after a bombing, whose strange behavior hides a past that threatens their unconventional romance and a brewing love triangle.
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Musafir (1940)
A prince, fresh from his foreign education, returns to find his kingdom plagued by intrigues and rigid traditions. Disillusioned, he decides to venture among the poor in search of genuine love and freedom. During his adventures, he meets a simple village maiden, and they fall in love, leading to a series of thrilling and comedic encounters. The film blends this underlying serious theme with a light-hearted, slapstick comedic approach.
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Beti (1942)
A pampered, sickly child escapes her privileged life, only to encounter a struggling street juggler and his daughter. Their worlds collide, sparking an unlikely romance and a journey through societal divides.
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Pardesi (1941)
An earthquake separates wealthy siblings Premnath and Mala, leaving Premnath with amnesia and in love with beggar girl Mira. As Mala seeks to reunite with her brother, the film questions whether true love can bridge societal divides.
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Shadi (1941)
A devoted traditional wife heals her ailing husband, only for him to abandon her for a dancing girl. Can a modern, educated woman's revolutionary ideas mend the broken marriage and restore love?
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Chand Chakori (1946)
A street singer and a flute seller fall in love, only to be separated by jealousy and circumstance. Years later, a twist of fate reunites them, one famous and the other struggling, forcing them to overcome misunderstandings for a second chance at love.
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Shahenshah Babar (1944)
Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.
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Dhiraj (1942)
Dhiraj (1942) was a Hindi social film directed by Chaturbhuj Doshi and produced by Ranjit Movietone. It featured actors like Sitara Devi and Ishwarlal. Dhiraj was banned by the British government due to alleged inclusion of "symbols like pictures of national leaders," suggesting a plot with nationalist themes.
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Pagal (1940)
A psychiatrist spirals into madness after being tricked into marrying the wrong sister. When his obsession with her sibling grows, he uses his medical authority to turn her insane and imprison her within his own asylum.
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Holi (1940)
The evil Chand (Motilal) and his rich father Mangaldas (Date) persecute the nice Sunder (Ishwarlal): he kidnaps Sunder's sister Kokila (Khursheed) and frames him for theft. Sunder is jailed. The abducted Kokila succumbs to the villain's charms and her love reforms him. When released, Sunder, unaware of the fact that his enemy has reformed, seeks revenge on the very day that Chand and Kokila are to marry.
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Sati Savitri (1932)
This mythological film is based on the Mahabharata. It depicts the tale of how Savitri (Gohar) saves her husband Satyavan (Bhagwandas) from the clutches of Yama, the god of death.
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4.8
/7/
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Bhakta Surdas (1942)
Surdas, a blind poet, embarks on a spiritual journey. He transforms into a revered saint, dedicating his life to crafting devotional poetry for Lord Krishna.
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