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poster

73

38

6.9

/218/

75

/5/

64

/7/

3.5

/334/

85

/34/

85

/133/

65

/8/

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered, and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. The film is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother, Lilo, in the 1970s.

poster

?

6.1

/14/

20

/1/

90

/1/

In this portrait film, we meet Inger Christensen in her apartment in Østerbro, Copenhagen, where she tells of her life and work, and reads excerpts from her major works.

poster

?

4.4

/11/

10

/1/

N/A

poster

?

5.3

/6/

A stream of associative patterns is woven into the many ambiguous meanings of the river image. There are cracks to blind areas of loss and oblivion, world fires and floods - and to an oasis of dreams, fantasies and myths. Images materialize in the borderline between mind and world.

poster

66

?

7.1

/131/

90

/2/

39

/4/

3.2

/243/

The two main people in the story are Anna, a young girl, who is thought of having the ability to heal people mysteriously. Elisabeth is a young - middle aged aristocratic woman, that is disabled and puts all her hopes in meeting Anna and having her disability heal by her. A strange ambivalent relationship develops between the two women.

poster

?

5.7

/33/

N/A

poster

?

7.2

/7/

A thief hides a large sum of money he has stolen, behind a looking glass.

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