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poster
?
10
/1/

Sammelsurium - Ein ostelbischer Kulturfilm (1992)
N/A
poster
?
7.2
/11/
40
/2/
40
/1/

Die Wismut (1993)
Documentary about the impact of uranium mining in East Germany.
poster
?
5.9
/42/
60
/1/
54
/5/

Karger (2007)
The film tells the story of a steel worker named Karger who is living in the Saxon town of Riesa. Personal as well as professional changes force him to turn his back on his home town that he had never left in his whole life and to enter unknown territory. On his way into the unknown, Karger has to bid many painful farewells. However, he faces them in his characteristic indifferent manner.
poster
62
?
6.4
/347/
70
/1/
53
/7/

You're Not Alone (2007)
Master painter Hans Moll and his wife, the television announcer Ms. Wellinek and her husband, and the German-Russian Jew Yevgenia have many things to live on: food, drink, an apartment. What they do not have is work. They all discover the yearning for a chance to start all over again and bring themselves back to life.
poster
?
6.9
/20/
45
/2/
42
/2/

Neustadt (Stau – Der Stand der Dinge) (2000)
Eight years after the first cinematic encounter with right-wing extremist youths in Halle Neustadt, Thomas Heise revisits the protagonists and their families at the turn of the century.
poster
?
6.9
/45/
45
/4/
40
/7/

Stau – Jetzt geht’s los (1992)
A group of young people in Halle-Neustadt moving aimlessly between the concrete blocks once built as a socialist model housing estate. Familiar certainties dissolved along with the GDR. Even though there were hardly any foreigners in Saxony-Anhalt, a dull aversion to everything that hadn’t been part of daily life until then began to spread. The general dissolution, perceived as a threat, is countered by apparently clear world views. When Thomas Heise won the “Documentary Film Prize 1992” at the Duisburger Filmwoche, the laudation ended with the assumption that the film would probably provoke disagreement. It turned out to be true.
poster
?

Berlin, 10:46 (1994)
N/A
poster
?

Auf demselben Planeten (2002)
The filmmaker delves into her family's past and the seemingly intact world of childhood begins to fall apart. Here, the private sphere reflects the helplessness and excessive demands of German society in the 1970s - between the shadows of the National Socialist past and new utopias.


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