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poster

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8.6

/14/

80

/1/

Opera superstar Cecilia Bartoli offers her first operatic release on DVD in 12 years, and also her first opera in English. Bartoli stars as Semele (a role usually taken by a soprano) in Handel s late opera, which features such well-known arias as Endless pleasure, endless love, Myself I shall adore, and Oh sleep, why dost though leave me? Robert Carsen s stylish modern dress production hints at parallels with the problematic relationship between the late Princess Diana and the British Royal Family. Recorded live at the Zurich Opera House in January, 2007.

poster

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40

/1/

Washington National Choir and Orchestra

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8.5

/32/

20

/1/

In the awe-inspiring Teatro Olimpico,Vicenza, Cecilia Bartoli, recognised as one of the best singers of our time, gives the most outstanding recital of work from a variety of composers such as Caccini, Schubert, Handel, Vivaldi, Bellini, Donizetti,Mozart, Rossini, Viardot and Bizet.

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8.3

/44/

60

/3/

80

/1/

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.

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60

/1/

1. Seventy Six Trombones 2. The Life of Artists / Künsterleben 3. Blaze Away 4. My Way 5. Dance of the Fairies / Elfentanz 6. Torna a Surriento 7. Funiculi Finicula 8. Godfather Waltz / Der Pate 9. Yackety Sax 10. Amen 11. I Will Follow Him 12. Nun's Chorus / Nonnenchor 13. Amigos Para Siempre 14. I'm Singing in the Rain 15. The Washington Post 16. Oh Happy Day 17. The Music of the Night / Die Musik der Nacht 18. The Beautiful Blue Danube / An der schönen blauen Donau 19. Don't ry For Me Argentina 20. Halleluja 21. Radetzky March / Radetzky Marsch 22. A Bright Young Man / Als Flotter Geist 23. Libiamo 24. Amazing Grace 25. On When the Saints 26. America the Beautiful 27. The Stars and Stripes Forever Bonustracks & Special Features 1. Pie Jesu 2. Take The A Train 3. A Whiter Shade Of Pale 4. Making Of André Rieu at Schönbrunn 5. Teaser

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9.6

/12/

100

/1/

69

/8/

A conceptual digital masterpiece of The Gods We Can Touch, the new album from AURORA

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80

/1/

N/A

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8.5

/75/

55

/2/

65

/2/

Filmed at their Royal Albert Hall debut gig in September 2000, Bond Live is a slick showcase for four classically trained, ex-session musicians and their fusion of string quartet and rock music. Whatever the hype (four beautiful women wearing scanty tops and dancing with violins while backed by a five-piece rock combo and a small, rarely seen string section), it has nothing to do with making classical music cool and everything to do with sex. In "Duel," first and second violins Haylie Ecker and Eos trade licks "guitar-hero" style, and most of the tracks are new instrumentals written for the album Born, though "The 1812" does manage to reduce Tchaikovsky's overture to a five-minute dance number. With rock-show lighting, synthesizers, dance beats, and a finale involving the "James Bond Theme" followed by a Rio-style fiesta for the closing "Victory--Carnival Mix," this is camp, melodramatic, sexy fun.

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52

/2/

This Royal Albert Hall Concert, presented now on DVD, was also available online through live streaming. It is difficult to remember the last time any concert gave me so much pleasure and insight, and sent my soul soaring to such heights of joy. So many beloved piano pieces, so magnificently performed! Valentina has scaled the heights of technique, knocking off 'impossible' Liszt pieces like a stroll in the park. She melds with the piano with such assured ease that she can milk every piece for musical content and subtlety, reminding us of the great Hoffman, who also loved to play each piece a little differently every time, tapping deeply into the inexhaustible potential of a great composition, perpetually finding fresh ideas and magnificent new interpretations.

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8.2

/14/

20

/1/

80

/1/

Andrea Chenier is a poet during the French Revolution. He and Maddalena are in love. Gerard, former servant in Maddalena's house, denounces them to the Tribunal, but recants it too late. The lovers go to the guillotine together.

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10

/1/

80

/1/

Opera greats Luciano Pavarotti and Joan Sutherland -- one of the most acclaimed tenors and one of the most beloved sopranos of the 20th century -- take the stage at the Met for a gala evening of opera scenes with special guest Leo Nucci. Filmed in 1987, the memorable program includes scenes from the first and third acts of Donizetti's "Lucia di Lammermoor," the third act of Verdi's "La Traviata" and the third act of Verdi's "Rigoletto."

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10

/1/

You will find this Requiem the finest on video. It certainly outshines Bohm's dated approach, and Bernstein's lethargically slow performance. (No disrespect to them, I enjoy them but this is better :) It also gives us a superb opportunity to view Solti at work, and I wonder why don't have more of his performances on video. One may also enjoy seeing (and hearing) Rene Pape at only 27 years old, likewise Cecilia Bartoli in her young prime.

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10

/1/

These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.

poster

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90

/1/

90

/1/

This is an exhilarating experience both visually and aurally. How wonderful that Barenboim is havng such success with Verdi this late in his career.The excitement and power is there in all the big movements and the tempi shouldn't upset anyone. There is clarity and drive in all the big choral fugues and the climaxes will knock your socks off. But it was the quiet moments I found most moving. The incredibly detalied camera work increases this sense of intimacy and the video quality is excellent. Really.

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100

/1/

Thirty years’ Johann Strauss Orchestra, and on the Vrijthof square for the thirteenth year running. Surely a good reason for a party! Enjoy André Rieu and his Johann Strauss Orchestra and an evening that is more festive than ever! To name a few highlights: Handel's impressive Hallelujah, sung by all soloists and the choir, Hava Nagilah, Think of Me from The Phantom of the Opera, Ballade pour Adeline, O Sole Mio, sung by the Platin Tenors, La Traviata, Highland Cathedral and of course beautiful waltzes by Johann Strauss. And as icing on the cake, a performance by David Hasselhoff, who together with André Rieu, goes through the roof with Looking for Freedom, Love Me Tender and Paloma Blanca! The audience sings and dances along ecstatically. It was a magical evening in Maastricht, relive it with this fantastic anniversary Blu-Ray.

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10

/1/

Ute Lemper sings a collection of art songs by Michael Nyman based on texts by Paul Celan, Wolfgang Amadeus Mozart, William Shakespeare and Arthur Rimbaud. It was filmed at the Musikhalle, Hamburg, 4 February 1992.

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60

/1/

100

/1/

The story of Andre Rieu's first journey to Africa, the discovery of soloist Kimmi Skota and the sheer emotional impact of the concerts on the South African audiences.

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8.9

/53/

20

/1/

100

/1/

Live performance at the Metropolitan Opera in 2000.

poster

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45

/2/

The opera's dramatic structure frames and enhances the characters. Scenes of magnificence regularly alternate with scenes of darkness and squalor. From sumptuous interiors, we move to a dark street, a lonely inn. The secondary figures are astutely counterpoised: the plotting courtiers against the plotting Sparafucile and Maddalena (also ambiguously tender-hearted). When Rigoletto says "Pari siamo", he could be expressing the motto of the whole work: the beautiful and the ugly can be equally good, equally evil.

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76

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7.8

/40/

77

/14/

74

/5/

Christmas is now more beautiful and cosy than ever! Experience Christmas in London, together with André Rieu. Decorated Christmas trees everywhere you look, beautifully lit streets, tempting Christmas window displays... Combine the unique London Christmas atmosphere with a magnificent Christmas concert by André Rieu, and you have all the ingredients for a lovely party in the dark December days. Together with fantastic soloists and his always joyful Johann Strauss orchestra, André Rieu provides a fabulous evening with the most beautiful and moving Christmas carols, but also with emotional songs such as Leonard Cohen's Hallelujah, The Holy City and the classic Concierto de Aranjuez. Christmas in London means an evening enjoying lovely music, beautiful costumes and plenty of London cosiness.

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50

/1/

Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". DVD release June 2009.

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7.1

/19/

60

/2/

Early recordings of Franco Zeffirelli's 2006 production of Verdi's opera which saw Roberto Alagna's high-profile exit during the second performance. Egypt and Ethiopia are at war. Radames is appointed commander of the Egyptian forces by the King, whose daughter, Amneris, loves Radames. It is in fact Amneris' Ethiopian slave Aida whom Radames loves. Ramades wins the war against the Ethiopians, capturing Aida's father Amonasro in the process. On his return to Egypt he faces a choice between marrying Amneris or betraying his country through his love for Aida.

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8.3

/41/

57

/8/

55

/2/

The classic Mariinsky (Kirov) production of the greatest of all ballets. Filmed in the imperial splendor of the Mariinsky Theatre, St Petersburg. Starring Ulyana Lopatkina, Danila Korsuntsev and the breathtaking Mariinsky corps de ballet. Conducted by the great Russian maestro Valery Gergiev.

poster

72

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8.7

/111/

63

/3/

65

/2/

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

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72

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9.0

/184/

66

/11/

60

/3/

The Three Tenors is a name given to the Spanish singers Plácido Domingo and José Carreras and the Italian singer Luciano Pavarotti who sang in concert under this banner during the 1990s and early 2000s. This is the first collaboration of the trio, with a performance at the ancient Baths of Caracalla, in Rome, Italy, on July 7, 1990 – the eve of the 1990 FIFA World Cup Final. Zubin Mehta conducted the orchestra of Maggio Musicale Fiorentino and the orchestra of Teatro dell'Opera di Roma.

poster

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7.6

/9/

70

/1/

Wagner's Lohengrin is the mythical tale of the mysterious Knight of the Grail, who appears to defend the princess Elsa - wrongly accused of the murder of her brother. Highlights of Wagner's most lyrical score include the famous Wedding March, which accompanies the marriage of Lohengrin and Elsa. Superstar tenor Jonas Kaufmann ("currently the hottest tenor in opera" - The New York Times) makes his role debut in this performance from 2009 and filmed in Munich. He is joined by German soprano Anja Harteros - a former winner of the prestigious Cardiff Singer Of The World competition.

poster

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8.8

/31/

88

/3/

Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel - but not forget her. In addition to the singing and orchestral accompaniment, the entire cast acts very convincingly. And, there's no backstage mugging, entrances and spoken nonsense to spoil the experience of the drama.

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6.5

/14/

20

/1/

The Queen of Spades, Op. 68 (Russian: Пиковая дама, Pikovaya dama, French: Pique Dame) is an opera in 3 acts (7 scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on a short story of the same name by Alexander Pushkin, but the plot was very changed. The premiere took place in 1890 in St. Petersburg (at the Mariinsky Theatre), Russia.

poster

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7.5

/40/

20

/1/

Richard Strauss's opera, from the Royal Opera House, Covent Garden.

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7.3

/22/

100

/1/

Starring Angela Gheorghiu as the celebrated French actress Adriana Lecouvreur and Jonas Kaufmann as her lover Maurizio, Count of Saxony, Cilea s verismo drama explores celebrity, romance, jealousy, and death. The trio of sublime voices is completed by Russian mezzo-soprano Olga Borodina as Adriana s jealous rival, the Princess de Bouillon. David McVicar s hit production the first performance of the opera at the Royal Opera House, Covent Garden for more than a century presents the life of the French actress as a blurring of the distinction between fantasy and reality. The action revolves around a life-size Baroque Theatre, taking us from the bustle and colour of the first act backstage at the playhouse, to the bare final scenes as the drama reaches its fatal climax.

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8.5

/56/

20

/1/

L'elisir d'amore (The Elixir of Love) is a comic opera (melodramma giocoso) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's Le philtre (1831). Written in haste in a six-week period,[1] L'elisir d'amore was the most often performed opera in Italy between 1838 and 1848[1] and it has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013.[2] There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima," a romanza that has a considerable performance history in the concert hall.

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8.0

/14/

100

/1/

70

/1/

Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.

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This TV production is from 1970 and the color picture is accordingly rich and beautiful. The sound however is below average for the era, but still ... twiddle the knobs, turn the bass up a little, and get acclimated. This is a fully traditional production, actually very pleasing in that regard.

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This new disc from the Zurich Opera presents just about as thoughtful and coherent account of Rossini's Otello as one could hope for. This isn't the first time the company has made something of a splash with the bel canto repertory. Some will remember their CD release, a few years back, of Bellini's Norma, also featuring Bartoli. That set got very mixed reviews, and those who hated that will probably hate this too, no doubt before they even watch it. But for those not initiated in the trench warfare that music loving often attracts, this disc will be most welcome. The world class cast, led by Cecilia Bartoli and tenor John Osborn, are (mostly) young, committed and talented. They deliver, here, an intense performance that makes a very strong case for this neglected opera.

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This is an excellent version of one of the greatest of all comic operas, featuring superb singing and orchestral playing. And it's not just the two headliners; listen, for example, to the entrance of the stepsisters at the beginning of Act One. Nevertheless, some viewers may find the staging problematic, with singers in clown-like costumes and sets featuring human-sized rodents. Those seeking a more conventional production might want to consider the Houston Grand Opera DVD, also on Decca, with Cecilia Bartoli and Raul Jimenez. Both sets are wonderful, but, for me, Joyce Didonato and Juan Diego Florez are slightly to be preferred. Highly recommended.

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Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.

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Part of an epoch-making release of Mozart's complete operas on DVD, here is the 18-year old composer's first mature opera buffa. Hilarity mingles with passionate emotions when belfiore believes he has killed his lover in a fit of jealousy, but then encounters her disguised as gardener sandrina. Famed filmmaker Doris Dorie directs a superb young cast in this tale of love, hate and intrigue across class barriers, all vividly depicted by Mozart's astonishingly rich and varied music.

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Boasting many of Russia's most talented young dancers, the Moscow Classical Ballet brings its celebrated Swan Lake to DVD for the very first time.

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German virtuoso Julia Fischer performs violin and piano concertos by Saint-Saens and Grieg, accompanied by the Junge Deutsche Philharmonie under the baton of Matthias Pintscher.

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N/A

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André Rieu - Magic of The Violin

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Juan Diego Florez stars in the only available DVD version of Zelmira, filmed at the celebrated Rossini Festival in the composer s home town of Pesaro. The final opera Rossini wrote for Naples is a dramatic and musical tour de force and a magnificent showcase for the bel canto superstar of our time. Recorded in high definition at the 2009 Festival, Giorgio Barberio Corsettis production places the classical tale, set during the Trojan Wars, in modern times and modern dress Joining Juan Diego Florez are a major international cast, described as near miraculous by Opera Today and led by American mezzo-soprano Kate Aldrich in the virtuosic title role But the evening remained another distinguished triumph for Juan Diego Florez as Prince Ilo, whose arrival in his homeland, to rescue Zelmira, was marked by a dazzling tenorial display which evoked a nearly twenty-minute ovation

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Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast features American soprano Kristin Lewis who has been heralded for her remarkable voice, which she uses with powerful dramatic instinct, and Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence. Gianandrea Noseda leading the Orchestra and Chorus Teatro Regio Torino received accolaides from all: he controls everything- orchestra, singers, chorus, dancers, acrobats- with an all-encompassing overview. He knows exactly when its time to linger over a timbre, a color, an expressive chord.

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Documentary explains pretty much all you would want to know about Alessandro Striggio and the context of the music on “Mass in 40 Parts” with narration by the conductor, comments by the performers and excerpts from the recording sessions.

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As bright and colorful as penny candy, this visually arresting production of Engelbert Humperdinck's "Hansel und Gretel" puts a twist on the classic fairy tale upon which it's based by uprooting the action to modern times. Director Laurent Pelly's interpretation, which premiered at Glyndebourne in 2008, finds Hansel, Gretel and their family taking shelter in a cardboard box while the witch's stock of goodies lines the shelves of a supermarket.

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The Jacques Loussier Trio represents something of an anomaly: a musical ensemble devoted to presenting jazzed-up versions of traditional classical pieces. The group originated in the late 1950s via the innovative efforts of Jacques Loussier, founder of the Play Bach Trio, then reformed some thirty-five years later (c. 1985) with Loussier, bassist Vincent Charbonnier and percussionist André Arpino, and an emphasis on stringing together an entirely new repertoire. This concert release presents an extended set by the second incarnation of the group. Selections include: Pastorale in C minor, Gavotte in B Minor, Fugue No. 5 in D Major, and Gavotte in D Major.

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