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poster
68
51
6.6
/1922/
60
/58/
62
/36/
3.2
/3616/
91
/11/

Metronom (2022)
Bucharest, 1972. Ana, 17, dreams of love and freedom. One night, while partying with her friends, they decide to send a letter to Metronom, the musical program which Radio Free Europe broadcasts clandestinely in Romania. It is then that the Securitate, Ceausescu’s secret police, arrives…
poster
Fandango at Home Free
63
26
6.6
/1043/
62
/18/
56
/18/
3.5
/1275/

The Man Who Surprised Everyone (2018)
Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.
poster
?
8.8
/34/

The Magician (2025)
Sulina, 1910. It is the inauguration of the first electric power station in this Romanian port city. In the jubilation of a modern and cosmopolitan crowd, Ilarion, a prestidigitator from another time, tries to play his last card.
poster
?
5.8
/16/

Sechestrați Fără Voie (2017)
A little boy asks you for money. A rich old man calls for health. A supermodel sneezes. Two surgeons endlessly invite each other to make the first cut. A young soprano converts to music a savage sitting in a tree. And so on and and so on - Is there a way out of this?
poster
?
5.7
/21/

The Great Tram Robbery (2025)
Boško Tokin, the hero, was the first filmmaker in the Balkans and the first in the world to go to prison for it.
poster
?

Boxing with Myself (2023)
The film follows the life and work of Romanian visual artist ION GRIGORESCU, one of the pioneers of experimental art in Europe. The film discusses our evanescent existence, morality, and spirituality and interrogates the possible extent of the inglorious recollection of our own biography.


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