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poster
73
40
7.2
/1703/
68
/48/
69
/31/
3.6
/1126/
89
/9/
73
/2/

The Devil Strikes at Night (1957)
Hamburg, Germany, 1944, during World War II. A serial killer terrorizes the city. When it seems clear that the local police are unable to catch him, forces as dark and terrible as the criminal himself become involved in the case.
poster
62
26
6.6
/750/
59
/15/
56
/26/
3.5
/1137/

Bloody Friday (1972)
Womanizing thug Klett is sprung from the courthouse by two accomplices, then sets about planning the big heist of a local bank, equipped with a cache of high-powered weapons he's acquired from an American army outpost. Together with his faithful protégé, who reluctantly on-boards his young girlfriend and her AWOL brother, the quartet bumble their way through the supposedly full-proof plan that aims to deliver them a cool million in cash and a new life in Australia. Predictably, things deteriorate quickly at every turn.
poster
39
?
4.3
/256/
40
/8/
36
/11/

Joy of Flying (1977)
The young wife Silvia is neglected by her husband Kurt. She dreams during the flight to a psychoanalyst Congress similarly Jong's heroine Isadora while reading a novel called emancipatory joy of flying in a world of its own. Then she has an affair with the businessman Jörg. It recognizes that the total of all sexual acting out day and night dreams anyone yet alone makes to a free people.
poster
43
?
4.1
/265/
36
/8/
54
/20/

Three Swedish Girls in Upper Bavaria (1977)
Otto runs a hotel for tourists in Tyrol but has troubles both with the economy and with his wife Olga. After a trip to Stockholm he imports three Swedish blondes who eventually save Otto from disaster, both marital and financial.
poster
?

Change (1975)
Based on the drama by Wolfgang Bauer. Fery Kaltenböck is a painter of the Viennese avant-garde in the post-1968 milieu. His lack of success plunges him into depression. Out of frustration, he builds the Pölten painter Blasius Okopenko into a star, only to subsequently destroy him and gain fame through the scandal. But his plans fail because he underestimated Okopenko. When Kaltenböck realizes that he is becoming the manipulated man, depression and conscience drive him to suicide, and he hangs himself.


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