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poster
71
59
7.3
/2313/
66
/67/
71
/40/
3.6
/2056/
69
/62/
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74
/20/

In the Realms of the Unreal (2004)
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
poster
65
?
7.6
/52/
57
/4/
60
/1/
3.5
/341/

I Am Wanda (1980)
Documentary about American film director and actress Barbara Loden featuring an interview filmed in 1980.
poster
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7.1
/10/
20
/1/

Alice Guy-Blaché (1997)
A one-hour biographical documentary about Alice Guy-Blaché, one of the first women to direct films.
poster
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7.1
/28/
73
/3/
80
/2/

Women Are Naturally Creative: Agnès Varda (1977)
A documentary about French film director Agnès Varda on the set of her 1977 film ONE SINGS, THE OTHER DOESN'T. It includes interviews with Varda and the lead actors in the film.
poster
?
6.7
/24/
10
/1/

Longing for Women: Dorothy Arzner (1983)
By the time director Katja Raganelli arrived in California to make a film about Dorothy Arzner in 1980, Arzner had passed away in a car accident. Nonetheless, Raganelli visited Arzner’s desert home and retraced the pioneering filmmaker’s career in this documentary, using Arzner’s trove of photographs, as well as interviews with her leading lady Esther Ralston, to create this nuanced portrait of a woman who bucked every norm and defied societal expectation.
poster
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10
/1/

Die Frauen in Ingmar Bergmans Filmen (1993)
Documentary about the Woman in Ingmar Bergman's Movies
poster
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Portrait of Actress Delphine Seyrig (1977)
Documentary about French film actress and director Delphine Seyrig featuring an interview filmed in 1977.
poster
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Margery Wilson – From Hollywood silent film star to film director (1998)
In the later stages of her research into the history of cinema made by women, Katja Raganelli became interested in Margery Wilson, then one of the very few living women who had been able to direct fiction features during the silent period. What survives of Wilson’s art is her acting. For her work as a director, besides sundry photos and newspaper clippings, we only have Wilson’s recollections, as recorded by Raganelli.
poster
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Teresa, Teresa (2003)
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