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They interfere with walking (1930)
The action takes place in the late 1920s Ukraine. Exposing the agent of counterrevolution penetrating the environment of Soviet scientists.
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Vasylyna (1928)
The film is based on I. Nechui-Levystkyi’s work The Bargewoman. From dawn till dusk from early childhood, Vasylyna has been working on Pan Jastrzebski’s fields. The young nobleman likes the beautiful girl, and she starts working in his home as a maid. Vasylyna’s happiness does not last long: the man marries a girl of his social class. Vasylyna’s fiancé Vasyl, who feels insulted because of her unfaithfulness, instigates guys to cut off the braid of the landlord’s mistress. Vasylyna runs away from the village and hides from people. Soon, she gives birth to a child who dies shortly. Female workers from a factory find barely alive Vasylyna and help her become a weaver. Vasylyna starts a new life.
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Downpour (1929)
The lost film about the peasant rebellion of the 18th century in Ukraine, led by Maksym Zalizniak and Ivan Honta. The history of the haydamak movement became a trigger for authors to have experiments in the field of film language: shooting against the background of black velvet, focus on the static character of the picture, the sculptural nature of composition mise-en-scène solutions, replacement of dramatic collisions with cinema engravings depicting the historical past.
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6.8
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Taras Shevchenko (1926)
The film adaptation of Taras Shevchenko’s biography of 1925 is the first Ukrainian biopic. At that time, it was one of the most expensive films, as for the first time experts in history, ethnography, and literary studies were involved in pre-production. The famous Modernism artist, academician Vasyl Kryvhevskyi designed the film, and professor Serhii Yefremov served as a consultant.  Consisting of numerous short stories, the film that shows the life of Shevchenko as an adolescent, a soldier, a poet, was successfully demonstrated in Ukraine and abroad and became the most acknowledged cinema project of 1926. Amvrosii Buchma played Taras Shevchenko.
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Fire Revenge (1930)
On the struggle of artisanal peasants against the economic oppression by the kulaks.


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