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poster

58

18

5.7

/344/

59

/11/

58

/16/

3.2

/1117/

[…] A reel was shot of the Noh drama Momiji-gari (Maple Leaf Hunters, or Viewing Scarlet Maple Leaves), in which Danjuro played opposite Onoe Kikugoro V (1844-1903) as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives. (cont. http://victorian-cinema.net/danjuro)

poster

?

5.1

/22/

45

/2/

A former carpenter who became one of the first cameramen in Japanese cinema history, Tsuchiya Tsuneji travelled to North America to help in the construction of a Japanese garden and tea house at the 1893 Chicago World's Fair. After learning film techniques on how to operate a camera and develop film in December 1898 he returned to Japan carrying an Urban Bioscope camera (both a projector and camera). Taking inspiration from boxing match film actualities popular in the United States he conceived the idea of filming sumo wrestlers at the Ryogoku Ekoin. This resulted in his first film Ekoin Natsu-basho Ozumo.

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