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poster

74

61

6.9

/2968/

65

/67/

66

/72/

3.7

/5919/

100

/11/

69

/34/

A young man with magical powers journeys to his uncle to request help in fighting his sorcerer father.

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72

58

6.7

/1573/

61

/31/

69

/40/

3.7

/2731/

84

/58/

70

/78/

81

/18/

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

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80

/1/

Set in the 17th century in a small cave-dwelling village in northeastern Mali, the film follows Yamio — a woman who, unable to conceive after 10 years of marriage and shamed by the fertility of her husband's second wife — throws herself off a cliff. When she miraculously lands without suffering any harm, she wanders in exile, finally taking refuge in Barkomo, a kingdom that has fallen on hard times. When she discovers that she is pregnant with a miracle child, she has the chance to change the fortunes of everyone around her.

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6.4

/13/

In Bambara tradition, the dead is supposed to be the truth holder. But because they are no longer heard, the ancestors decide to speak for the very last time. They are going to tell their truth and then they will fall silent.

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10

/1/

A portrait of the Malian artist Mamadou Somé Coulibaly who draws his inspiration from the history of the African people.

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10

/3/

Bamako. Several women are illegally evicted from their home in 2008. Their brother, Souleymane Cissé, takes up his camera to look back at his childhood and family history in a country heading for war despite a tradition of tolerance.

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80

/1/

Passionate sculptor Makan discovers he just won the lottery. This marks the start of a long chase in the streets of Bamako to search the coveted ticket. However, he misses the most important: the beautiful Sira has come to his house to read to her father...

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10

/1/

N/A

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7.1

/42/

50

/2/

55

/2/

When an elderly man reveals that his son Hammala is the illegitimate son of a purported witch, the ugly side of social customs rears its head. Shunned by the community, an ashamed Hammala leaves the village, only to return four years later, despite his outcast status.

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6.5

/54/

66

/3/

70

/1/

Acclaimed artist Abdou Ouologuem delves into the legend and legacy of the richest person in the history of the world, the 14th century Malian king Mansa Musa, who has been almost entirely wiped from recorded history.

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10

/1/

Daily life scenes in a rural village of Mali: harvest, meddlesomeness, children games, a wedding, a theft, and the clumsy intervention of the police. The character that brings all these scenes together is a leper despised by the whole village, who manages to be cured in the city and happily returns to his people.

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6.8

/9/

50

/1/

This short uses puppets to tell the story of a child who speaks, eats, and walks from the day he is born. After a few days, he sets off in search of his brother. He finds him and they continue down the road together. What follows is the adventure of an ungrateful little boy who drags his brother along through his follies and mischief.

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4.9

/17/

Mali film directed by Kalifa Dienta.

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7.2

/37/

70

/1/

A young brother and sister try to balance school and their menial jobs in order to be able to continue their education and so that their impoverished family can make ends meet.

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5.8

/10/

10

/1/

"Cinq jours d’une vie" is about a young man, N'Tji, orphaned at an early age, who lives under the supervision of his uncle. He is sent to Koranic school, where he is forced to memorize and recite verses of the Koran; soon, N’Tji escapes and begins to craft his own destiny. Unfortunately, he is found and thrown in prison, and must live with the implications upon release. In this film, Cissé explores the institution of the Koranic school and its detrimental effects on young people’s autonomy and ability to explore their futures.

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20

/1/

Safi, a young girl who took over from her father at the head of the family business, directs her activities towards long-term investment. But her project is compromised because of the allocation of developed areas.

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69

?

7.2

/144/

55

/2/

62

/4/

100

/19/

62

/2/

67

/5/

In 2012, jihadists took control of northern Mali. They imposed one of the strictest interpretations of sharia law in history. On August 12th they banned music - radio stations destroyed, instruments burned and musicians facing torture, even death. Overnight, Mali’s most revered members of society – the musicians – were forced into hiding or exile. This film follows Mali’s musicians as they fight to keep music alive in their country. We witness fierce battles between the army and the jihadists, capture life over borders at refugee camps where money and hope are scarce, follow perilous journeys home to war ravaged cities, and for one band, Songhoy Blues, their path to international stardom.

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7.3

/78/

50

/2/

66

/5/

A group of woman in a Malian village find a mystical mask. Using the mask, they reverse gender roles, women act like men, and men act like women.

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5.3

/10/

38

/6/

A young Malian boy, Aba Diko, sells chickens to help support his family.

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The story of a young student, lost in her hometown and alienated from her own traditions. After experiencing situations that made her feel powerless and unable to express herself about her roots, she decides to embark on a journey to rediscover her heritage and reconnect with her origins. This personal quest leads her to meaningful encounters and a profound reevaluation of her identity.

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Sanko, the imam, dies. A fratricidal war breaks out over his succession. N'Tjo arrives in the village after being stripped of his inheritance. He finds himself implicated, defending himself.

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This powerful social drama from director Fatou Cissé, daughter of legendary Malian filmmaker Souleymane Cissé, explores the impact of forced marriage on young women in Mali. The film follows Tou, who is pressured to marry an older man after becoming pregnant, and Ami, who resists village pressure to wed in favor of her independence. Through these parallel stories, Furu examines the complex and often painful choices young women face when their futures are shaped by tradition rather than personal agency. The film confronts the enduring practice of forced marriage and its psychological consequences, offering a poignant and urgent reflection on gender, autonomy, and resistance within a patriarchal society.

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So Kou gives an insight into the history of an ancient instrument and a master player who contributed at making it better known to the world. The sensation of a strong symbiosis between the master and the So Kou emerges, casting a feeling of purity and sincerity.

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In Mali's Dadougou region, the secretive Kɔtɛ (kote) initiation rite is held every seven years or after a village chief's death, forming part of the NYA and DO societies. While the rituals remain undisclosed, public festivities include symbolic fights where torchbearers and defenders clash in staged confrontations.

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Al-Qaeda in the Islamic Maghreb…Daesh…Boko Haram.** So many extremist movements, of which Africa has become a breeding ground, have declared war against Western values and people. Beyond the misunderstandings that often paralyze us, we have to ask ourselves the real question: **how did we get here?** Filmed in Mali, *RETURN TO BAMAKO* is a deep dive into the land of Islam, seeking to understand the causes and challenges of the threat posed by the rise of radical Islamism to all societies. The Islamist wave did not come about accidentally, but instead is the result of recent history, of which Westerners are the actors, because in the vast majority of cases, it is the failure of a political and economic system, copied or imposed by the West, along with unbridled globalization, which opens a gaping hole and allows the rise of extremism.

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N/A

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This special, behind-the-scenes film takes us on a trip to Mali to witness Amadou & Mariam at home and their musical encounter with legendary artist and producer Manu Chao during the making of their hit album Dimanche à Bamako, The music provides the lifeblood of the film, featuring the hits Sénégal Fast Food and La Realité, popular favourites Coulibaly, M’Bifé and Camions Sauvages plus a rare, unreleased live song by Manu Chao, Kira.

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A filmmaker's search for Yambo Ouologuem, a once famous writer who no longer wants to see any white people. Along the way, he meets five university students interested in the relationship between Africa and the West and who question the desire to go somewhere else, to leave the country and with it the culture that is theirs and their parents'.

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This film highlights the ongoing transformation of the Malian society moving into the era of modernity and globalisation. It portrays a Malian woman named Mrs.Kebe Tantou(one example taken for many) running her own enterprise. Mrs. Kebe Tantou’s business consists of dyeing clothes made of “basin” and selling them in Bamako(Mali), and everywhere in the world. She has got clients in Africa, France, the United Arab Emirats and in the USA. In a wide range of scenes, Mrs.Kebe Tantou is shown the main actress around whom several other actors and actresses are rotating. Mrs.Kebe Tantou symbolises the independence of the Malian wives, and the Malian women entrepreneurs.

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N/A

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In the busy streets of Bamako, a young woman, about 25 years old, repairs generators. Engaged to be married, Ra does "a man's job" and supervises a crew of teenage boys. Ra gives much importance to social relationships - she participates in the Tontines organized by the young woman of her district and wrecked generators from her shop are recovered and transformed into crockery and kitchen utensils. On Ra's wedding day, the presents given to her include gifts made from her recovered generators.

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Meeting of two greats, Cissé's tribute to the dean of African cinema is without discours, without pathos. It is the one returned by his mini camera, which attends the funeral ceremonies that marked the departure of Ousmane Sembene in Dakar, and finds the relatives of Sembene in the house he had built in Yoff, directly on rocks beaten by the ocean. These simple and close images, with a distance from the ceremonial that Sembene would have appreciated, those briefly borrowed from his films and archives, weave a film full of friendship and fraternity.

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Echagh (The Well) is a research film on a Tuareg Fraction called Igorareine. They live in a locality called Echgah situated to 40 km in the northest from Gao, nothern Mali. They basically look after sheep, goats, camels, cattle, and have been practising a nomadic life for generations. Nowadays, some of them are about to leave this ancestral way of life due to many loss of animals caused by the desertification of the Sahara. That is how they settled in the surrounding of a colonial well, called Echgh in 1988. A decade later, they created a primary school for their children. Since then, they are thinking about another way of life. But it should be noticed that this newly introduced school system is subject of many interpretations in Echagh. Some of them believes in other opportunities that school may bring about. In contrast others see it as a device which threatens their traditional way of life. Within such a divergent context, the film explores the life choices of three kids.

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Djeneba is a mother of nine children living in Kadioloko, southern Mali. Since her husband left the family some years ago Djeneba and her children manage the family’s millet fields without him. Recently the eldest boy, Madou, has brought his new wife, Lidy, into the family group. In this film we explore daily life in the compound as Djeneba assumes full responsibility for her family’s needs. Filmmaker, Bata Diallo, herself a Malian, engages Djeneba’s life-world in observational style and by way of intimate conversations. As well as the family we meet Nono, the old chief of Kadioloko. He’s a good friend of Djeneba and a renowned local philosopher with a wry world-view and a sense of humour to match. Djeneba and her family are from the agriculturalist Minyaka ethnic group but we also get to know some Fulani pastoralists who share the village of Kadioloko. “Djeneba” is an hour-long chronicle of quotidian life in rural Mali from a woman’s point of view.

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Fatou Cissé accompanies her father, malien director Souleymane Cissé, through a trip down his film career, painting an intimate and poetic picture of one of Africa’s most celebrated actors.

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This short but sweet film looks at the work of the renowned African artist whose photographs have documented Malian society over a forty-year period.

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Mali film directed by Issa Falaba Traoré.

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Malian filmmaker Hawa Aliou N’Diaye believes that she is possessed by a jinn. In this documentary, she interviews other women in her community who also believe that they are controlled by jinn, which in some cases claim to be their husbands. Delving into Malian traditions and myths, N’Diaye explores the ethereal dimensions of the world around her.

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Mali film directed by Salif Traoré.

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Nama and Siré marry in the early sixties. Nama is a very pious marabout who decides to pull away from the world with his wife to dedicate himself fully to God and live as a hermit. To reward him, God sends him an angel. Nama must make three wishes. This film is based on a traditional Malian tale.

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Third part in Mahamadou Cissé's trilogy about a young woman named Safi.

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The Bozo of Mali are people of the water. For generations, they have lived along the banks of the Niger river, fishing for their livelihood. But climate change and drought have brought lower water levels and fewer fish - driving young Bozo men to leave their villages in search of work. Gala is one of these men. Like many young Bozo, he has moved to the capital, Bamako, and works as a sand fisher - dredging up sand and gravel by hand from the river's banks and bottom, and using large wooden pirogues to ferry it ashore. Here, it will be loaded into trucks and used for bricks, concrete mix and tiling - all to feed the construction boom in the country's largest city.

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