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poster

64

8

6.1

/75/

67

/4/

60

/4/

3.5

/547/

No es (It isn’t) is a cumulative poem by Mariano Blatt, whose constant writing process extends over a lifetime. The text of the poem, to which verses are added over days, months and years, can cover anything: images, people, memories, landscapes, phrases, ideas, etc. Having that list of “what seems to be but isn’t” ringing in his head, Eduardo Williams’ film Parsi observes in a perpetual movement the spaces and people to create another poem that is caressed, crashes and spins next to No es.

poster

?

100

/1/

Jealous wife - Evelyn, who didn't let her husband help a girl in the rain, whose boyfriend kicked her out in the rain lives to regret it. If only she was cautious, Evelyn could've avoided the danger she was about to face. WATCH NOW: https://www.youtube.com/watch?v=575VmS8FNys

poster

?

6.5

/17/

53

/3/

As in the original paradise, the inhabitants of the Bissagos archipelago, located in the west coast of Africa, live according to ancient traditions and in absolute respect for nature, until a gang of drug dealers occupies their sacred islands. The medicine man dies and everything seems lost, until his young successor decides to fight the invaders to save the village.

poster

?

10

/1/

‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎

poster

77

?

7.1

/60/

90

/2/

79

/4/

3.5

/391/

Guinea-Bissau, 1969. A violent war between the Portuguese colonial army and the guerrillas of the African Party for the Independence of Guinea. Nome leaves his village and joins the maquis. After years, he will return as a hero, but joy will soon give way to bitterness and cynicism.

poster

?

5.9

/10/

70

/1/

Shaped by mysticism, resistance, and the voice of revolutionary leader Amílcar Cabral, we take a personal and poetic journey through the anti-colonial past and present of Guinea-Bissau.

?

30

/2/

In Cacheu, Filipa César once again applies the economic technique of using a single shot – letting a 16mm film roll to the end – without editing. Here, the montage is a process that takes place before shooting, so that the image produced is the result of a performative assemblage between text, acting, projected image and framing by the cameraman and director of photography, Matthias Biber. A lecture, performed by Joana Barrios, brings together elements of César’s research on four colonial statues, which are stored today at one of the first establishment for slave trade in the West African country of Guinea Bissau – the Cacheu fortresses, constructed by the Portuguese in 1588.

poster

?

70

/1/

60

/1/

We went to research the conditions of the students in the guerrilla schools in the mangroves. Instead, we soon became ourselves the learners and the first lesson was how to walk. In the mangrove school the learning happens with the whole body.

poster

?

5.8

/32/

40

/1/

62

/4/

Ernania is hospitalized in a psychiatric hospital in Mozambique. She dreams about her little son, Hanic, and her husband, Pak, who is a soldier of the war. In the meantime, a quirky musical instrument plays: her own bed. Ernania’s musical virtuosity, attracts the attention of the hospital nurses. One day, her song is played in a radio program and Rosa, an evangelical priest of “Rádio Moçambique”, goes to the hospital to listen to Ernania’s song. Ernania takes the priest’s visit as an opportunity to run away from the hospital.

poster

?

5.4

/22/

40

/2/

55

/1/

Lucy, regarded as crazy, has a son.

?

6.7

/11/

60

/1/

"Conakry" is a homage to the Guinean-Bissauan and Cape Verdean anti-colonial leader Amílcar Cabral. This poetic film is a single shot 16mm film staged at the Haus der Kulturen der Welt in Berlin and based on the archival images. The film-maker Filipa César, invited the Portuguese writer and artist Grada Kilomba and the American radio activist Diana McCarty to reflect on the images and their history, questioning what these film archive mean in a post-African liberation world.

poster

?

60

/1/

Two artists go out to train, they don't fit the standards of their neighborhood, their city, or their imposing culture.

poster

?

60

/1/

A documentary shot in Guinea-Bissau, Cape Verde and Portugal that includes a series of interviews and testimonies of people who lived through the period of the anti-colonial war and liberation in Guinea-Bissau. This documentary, directed by Diana Andringa and Flora Gomes, sets the tone for a debate around the themes of reconciliation and historical memory in the post-conflict period of the Portuguese colonial war.

poster

?

3.8

/24/

40

/1/

100

/1/

A film about the incommunicability of two worlds.

poster

?

5.4

/26/

40

/3/

50

/4/

The film tells the tale of Iala, whose authority over his two sons, Raul and Bedan, is shaken. Raul has left to study in a seminary in the big city, where unknown to anyone, he has joined the liberation movement. Meanwhile, younger son, Bedan is rebelling against every possible tradition, even eyeing his father's young bride-to-be.

poster

59

?

5.8

/106/

70

/2/

50

/3/

Fatu’s father has returned home to Guinea-Bissau from Portugal to attend her wedding. The young woman teaches at the university and her future husband is a well-known musician. Their wedding is supposed to take place in Tabatô, a village where everyone makes music. On the way there, it becomes apparent that the father is seriously traumatised by his experiences as a soldier in the colonial war decades earlier.

poster

?

70

/1/

65

/1/

Documentary on the assassinated liberation leader.

poster

63

?

6.6

/165/

51

/6/

68

/6/

3.5

/226/

A beautiful, intelligent and flirtatious young girl, Yonta, is secretly in love with a friend of her parents, Vicente, a hero of the war of independence. Vicente is unaware of her passion as she is of the love of a young man who sends her anonymous love letters.

poster

62

?

6.6

/105/

47

/4/

66

/7/

3.6

/331/

Done in the style of an African folk tale, this film, a collaboration between European and African countries, is said to be among the most elaborate, high tech film in African film. Exquisitely photographed and filled with archetypal figures to create a poetic look at nature's revenge against those who would exploit her. It is set in the forest village of Amanha Lundju, a place where the birth of children is celebrated by the planting of a tree. The trees are considered spiritual twins. But for every tree planted, the rapacious state destroys many more for firewood and lumber.

poster

?

6.2

/11/

In mid-summer 2011, Paulo Carneiro and set out as assistant director for a film crew working on a project on the west African coast. There he unexpectedly ended up shooting his own film, a documentary report about a sinking ship near the coast of Guinea-Bissau on which he was a passenger. The digital camera records the growing panic on the ship after it has gotten stuck in the ocean in an oppressive nighttime atmosphere. In shaky interview footage, we see passengers move from an initial apathy to nervous anxiety, and from there fluidly to a fear for their lives. The growing tension on board is reflected in the film's ever quickening tempo.

poster

?

7.5

/94/

70

/2/

64

/6/

Africa, Europe - Europe and Africa: Surfers live differently on each continent and Africa marks a special place - as surfing is in many places at its very beginnings. 'Beyond - An African Surf Documentary' follows locals along the coast of Morocco, Western Sahara, Mauritania, Senegal and Gambia into their homes, visits their home surf spots and takes a look into their surfing lives. Three months of shooting culminated in a 111 minute long episodic journey on a continent, that has the potential to be the next big thing in surfing.

poster

67

?

6.7

/68/

70

/2/

62

/5/

3.5

/228/

The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.

poster

?

5.7

/53/

58

/3/

In a war-torn African country, a small group of young people, led by Mão-de-Ferro, a traumatized and violent war child, arrive in a mysterious city where children, abandoned by adults, have created their own utopian republic.

poster

?

7.2

/37/

Prosecuting Attorney David Lunga's success is overshadowed by the terrifying secrets of Rosa, a beautiful but mysterious woman with whom he falls in love. What mysteries does she hide? As the macabre facts unravel, David comes face to face with his own demons and is driven to prove his innocence, recover his reputation and, above all, clear his own conscience.

poster

?

Nutrudu - A Carnival With No Mask is a vibrant movie, full of rhythm, color and traditions that shows how Guinea-Bissau has made Nturudu (carnival) an instrument to salvage its national identity.

poster

?

The Mediateca Onshore in Malafo, a village in Guinea-Bissau, is an archive and a club for agropoetic practices. As Amílcar Cabral talks feminism on tape, the directors speak in the mangroves about the contradictions of depicting the community.

poster

?

In the West African nation of Guinea-Bissau, we follow brave local women who challenge patriarchy by building institutions that promote self- sufficiency through agroecology. They also defy social norms by standing up against female genital mutilation and rejecting forced marriage. Carrying forward the legacy of Amílcar Cabral, the Bissau-Guinean independence leader who placed women’s rights at the center of the struggle for liberation, the women of a rising generation are taking their power back.

poster

?

Filipa César, in her films and installations, explores the post-colonial constellations that were spawned by the recent history of Portugal. Since 2011, her research is focused on the film production in Guinea-Bissau, the beginnings of which were closely linked to the struggle for liberation. In February 2014, in Birbam, about three hours north of the capital Bissau, for the period of three weeks she has been documenting, together with the filmmaker Suleimane Biai, the construction of a house that will serve the surrounding villages as a meeting space. Alongside his work as a filmmaker, Suleimane Biai is the régulo in this region and hence has assumed the duties of the head and conciliator of the community.

poster

?

In The Embassy, Filipa César takes an old album of colonial photos showing landscapes, people, architecture and monuments in Guinea-Bissau in the forties and fifties as a basis for thinking about the codes of representation of former Portuguese colonial power and the way memory is produced. Furthermore, these images are shown by a Guinean archivist who tells the story of his country seen through his own eyes.

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The Portuguese colonial past is actualized through performance.

poster

?

Clara is a lazy and irresponsible teenager, who live in Bissau (the capital city of Guinea-Bissau), and uses her beauty as a weapon. Everyone around her admonishes her, despising her and naming her as Clara di Sabura (Clara of Parties, of the Good Life).

poster

?

An experimental documentary film of collective research into creolization, addressing its historical, ontological and cultural forces.

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