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poster

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7.8

/7/

Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. Seeing the way in which two cultures interact through small stories and tales can is striking and so is the contrast between the resilience of the young female generations and the realities of life in the desert. This documentary paints a picture of a generation of young female Sahrawis.

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20

/1/

Tito likes playing football and tries to get good marks at school but unfortunately, he has some issues that shouldn't have children of his age. Nobody as the Sahrawi people knows what means to be on the map and being lost and forgotten at the same time.

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6.8

/6/

Dadah, a Sahrawi boy living in the Dakhla refugee camp, knows nothing beyond life in the desert, the sand-filled air, the ever-present dunes on the horizon, school, games, the sullen world of the conversations that adults have while they make tea… Through film, he will discover very different worlds.

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10

/1/

Mariem Hassan, Sahrawi refugee, composer and Western Sahara's most emblematic singer, died of cancer in 2015. Soon before her passing, Mariem returned to the liberated territories of her homeland, where she had spent her childhood. There, she told us her story and sang for the last time. This film pays tribute to her last testimony and her art.

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70

/1/

HAIYU interweaves Mariem Hassan’s music and her personal quest for her country’s independence with larger historical events dating back to the region’s Spanish colonisation, and subsequent occupation by Morocco.

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40

/1/

It’s a documentary about Sahrawi people, removing of geography and politics, making it simply a "human" story. Giving a voice to this people who are in an impossible situation, forced to live confined in a refugee camp.

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7.6

/5/

The Sahrawi people have lived in exile for almost half a century in the driest desert of the African continent. There, where basic resources such as water are scarce, there is a film school. As the world looks the other way, a group of young filmmakers carries out a battle against oblivion.

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100

/1/

My Sahrawi family' is a report - documentary that reflects the bonds of unity between Sahrawi families and Spanish families who every summer welcome minors from refugee camps into their homes.

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80

/1/

When you are born in refugee camps, you grow up dreaming that one day you will live in your homeland, and as time goes on, this never goes beyond being a dream... You become the father of a family, and at that moment, you have to face life to achieve self-reliance. You fight to reach your dreams and face the daily obstacles, between both worlds, you end up doing what you never thought to do.

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80

/1/

80

/1/

"Legna: speak the Saharawi verse" is an audiovisual poetry story that traces the essential elements of the Saharawi culture, chaining the verses recited in a rigorous and evocative way in Hasania and Spanish by the poets and poetesses themselves. Poems that sing and evoke the essence of Bedouin material culture linked to the movement from Saquia el Hamra to Rio de Oro. A magical journey from the Draa River in the north to Agüenit and Leyuad on the southern border with Mauritania, from the coast with the white beaches of Bojador up to the vague boundaries of the Badia. A Saharawi national territory marked by the trace of the recent history of revolution, war, resistance (intifada) and waiting. Territory, history, culture, basted from poetry full of life, love and nostalgia.

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6.4

/57/

62

/4/

53

/3/

Fatimetu returns to the Wilaya of Smara for the funeral of her mother, after 16 years living in Spain. There she meets her brother Jatri, who is expecting his first child with Aichetu his wife, and her sister Hayat. Jatri tells her that she has inherited the family Khaimah and must care for her sister. Fatimetu reluctantly accepts the last will of her mother, though she is not sure how to take care of her sister as she can barely take care of herself.

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57

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6.0

/62/

50

/3/

56

/5/

3.2

/287/

Eager to escape a life of confinement in the refugee camps of Western Sahara in Algeria, Mariam flees into the desert to join the army, naively believing herself to be the Joan of Arc who will save her country from occupation.

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5.9

/16/

Teslem, Dehba and Jadija work in a fish farm in the Saharawi refugee camps. Where? In Algeria, in the middle of the desert, far away from their land. They no longer have sea, but they have fish.

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7.0

/18/

A video activist group is struggling to keep their cameras in the occupied Western Sahara where the Moroccan authorities have managed to implement a near total media blockade.

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67

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7.2

/324/

64

/5/

65

/6/

The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

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6.9

/41/

70

/3/

Forty years after its people were promised freedom by departing Spanish rulers, Western Sahara remains Africa's last colony. This film chronicles the everyday violence experienced by Sahrawis living under Moroccan occupation and voices the aspirations of a desert people for whom the era of colonialist never ended.

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Refugees in Algeria since 1975, the Saharawi have had to forge another life path, fighting to return home. Their children, a generation born in exile to parents born in exile, tell the story and struggle of their people, the Saharawi, through their dreams, hopes, and strength.

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Equipe Media presents a short film about the history and situation of Sahrawi women.

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A documentary that shows the current state of territorial limbo in which the Sahrawi people live through the gaze of those who arrive and leave, those who resist, of the occupiers and the occupieds; a multifaceted view of what is behind the facts.

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This peaceful camp protested the hard living conditions under Moroccan occupation and in favour of Sahrawi self-determination. This documentary shows how the Moroccan military dissolved it by force.

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A white melfa (Sahrawi traditional dress) contains the written desires of a group of young Sahrawi women.

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This documentary illustrates the story of Gdeim Izik through the voices of the Sahrawis themselves, giving personal accounts of how the camp was dismantled, what happened in the following weeks, and what it meant for them, as a people and as a nation. Our aim is to shed light on what really happened in Gdeim Izik during the autumn of 2010. The documentary is homage to the courage and strength of the Sahrawi people in their historic and unprecedented action, and it seeks recognition of their role in setting off the revolutions in the Arab world. Its aim is also to report and denounce the hypocritical role of foreign governments, the Moroccan government’s concealment of facts, and the way the Spanish government has been complicit in the situation through its policy of non-intervention in a conflict in which it is unavoidably involved.

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"Once you demand any rights...you are immediately arrested", Ahmed, a graduate says. As elsewhere, the Internet has become a key tool for getting information out of the country, with films and news posted to the web, bypassing the Moroccan state's censorship. Many believe Morocco must react quickly if it is too avoid a serious split and potential civil war. The Kingdom has indicated it is ready to change. Whether that will include independence for Western Sahara is yet to be seen.

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The story of the film is inspired by the reality of the suffering of the Sahrawi people under Moroccan occupation.

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Enforced disappearances, torture, secret prisons, mass graves, no trial and no justice. The history of Western Sahara, the area south of Morocco with an as yet undefined political status, is marked by a dark sequence of human rights violations. And it’s still forgotten. The documentary tells the story of Sahrawi people through the voices of special women who’ve been victims of violence, both in Western Sahara and in the refugee camps in Algeria. Through their testimonies, diaries and old photographs, the movie reconstructs the history of Western Sahara from a female and intimate point of view.

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In Hassaniya, the mother tongue of the Sahrawi people "Chabiba" means youth. In the Sahrawi tradition conversations, revolves around a good tea. According to the usual three Sahrawi teas.El take first tea is bitter as life, the history, the life of this people is bitter, because they were first colonized, abandoned, busy and eventually went to war with a neighboring country. The second sweet tea like love, the sweetest part of this conflict is the international status because all international law states that the solution to the conflict goes through a referendum. The third area is soft as death, remained behind war, armed struggle, we are in a part of the struggle of the people much smoother, as the third tea.

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The story of young Ahmed Tarfi might as well be the story of the Sahrawi people’s difficulties, and particularly those of the youth. The Sahrawi people are divided by a wall of more than 2000 km in length. This Moroccan wall is not only a defensive position for the occupying power, but it is also an obstacle for the cultural and social development of the original population, and also a wall of emotions and disappointments. The story of Ahmed Tarfi, despite being fictional, could very well be the story of thousands of young Sahrawis.

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Their desert was not the same since they last saw it. The dunes kept memories of a childhood bathed in sun and sand, when minutes passed by in a stalling time. It has been long since they moved to the city, in search of a better future. They left, switching their tents for high buildings in busy boulevards, bearing in mind their responsibility towards their society. Each step marked by the commitment to make of their training the future of their people. It is the outcry of souls deep-rooted in tradition, in culture, in the stories of their sand. The desert was not the same, it may have never been. This documental show how they left to change it.

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L'Aarifa is the name given to a post within the political structure of the Polisario. In the Sahrawi refugee camps this post is held by women who, at the same time, have carried great weight in the conflict. Shown in this short film is the problem that confronts one of these women in between family and work.

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"A message to Obama" is a true story about a black man that writes a letter to the President of the United States of America - Barack Obama. The film features the history of his family and his people as well as his wishes to live in peace in his homeland Sahara.

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This film is about the suffering of Sahrawi youth in the occupied Western Sahara. It tells the tragic story of their lives under occupation, and how Moroccan authorities push them to risk their lives and leave their homeland on flimsy boats to flee from a life of repression, fulfilling Morocco's goal of emptying the territory of youth, who are the foundations of society.

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The documentary reflects the voices and photographic looks Saharawi women because they are the protagonists of this project allows us to see between the lines injustices and gaps in a decadent international system and little bit attached to reality, however, they are also women who with their example remind us that even in the injustices, despair and deprivation there is hope and dreams do not end.

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28-year-old Azman, a student in the film school Abidin Kaid Saleh, explains how he discovered film in the Sahrawi refugee camps, the difficulties he had explaining his choice of study to his family, and how his society views this career.

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The narrative of resistance of Sahrawi poet Jadijetu Alaÿat flows against the background of raveling images from an unknown land.

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"We used to travel trough Sahara in quest for clouds. We did not depend on no airplanes, nor cars, just on our camels” Sahrawi grandpas recall today.  Since 1975 Sahrawi people live in refugee camps, surviving the desert, fighting for its independence. This documentary is witness of the birth of two Sahrawi girls, of the love that their families celebrate at their birth and at the same time is witness of their heritage of fight to recover their freedom.

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Toufa recreates the beginnings of the Sahrawi population’s arrival in the Hamada’s arid desert. This short film tells of the suffering of three generations of Saharan women, who through their effort and sacrifice wounds of the war were healed upon their arrival in the inhospitable territory of this part of southern Algeria.

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The Year of Balls tells about part of the colonial history in Western Sahara from the perspective of the Saharawi nomads, and the systemic transformation of the Saharawi community, the history of violence, and the loss of valuable knowledge and practices. Sulaiman Labat narrates the events and what he witnessed, the nomads didn’t know about bombs or planes, when they saw the bombs, they called them balls.

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This short film denounces the standards of beauty which Sahrawi women are subjected to, who use whitening products to lighten their skin, ignoring the risks that they may later incur.

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The documentary #FreeSultana, tells the story of a Sahrawi activist who has been under house arrest for a year with her entire family, without a court order. During this time, the Moroccan paramilitaries have destroyed her house, stoned, assaulted, raped, poisoned the Jaya sisters.

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Sahrawi artist and visual poet Mohamed Sleiman Labat follows the story of the emerging phenomenon of small scale family gardens in his local community in the Hamada Desert. The film features the story of four families in Samara Camp with small scale gardens, their practices and the knowledge they develop as part of their practices in the garden. The camps are located in a very harsh environment with extreme climate conditions, and the Sahrawi are still dependent on international food aid.

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This short film addresses the problems surrounding the appearance of narcotics in the Sahrawi refugee camps in Tindouf. These drugs are beginning to be sold in kiosks and areas close to schools, causing addictions to chemical substances among the youth.

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The Nomad Garden is an ode to the impossible. A young Sahrawi refugee shows how he grows organic vegetables and herbs in one of the most inhospitable places on Earth, overcoming challenges like the lack of water, extreme temperatures and a barren soil.

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A boy has a dream of traveling to the world, especially to Paris where his uncle lives, but a wall built on his land divides his country and does not allow him to travel or cross to the other side of his land.

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The Sahara desert occupies a third of the African continent and is one of the most inhospitable regions on the planet. The region is dry enough to mummify corpses and kill bacteria. For centuries, the Sahrawis have lived under these extreme conditions in the desert. In 2019, the GalileoMobile project carried out astronomical outreach activities in the five Saharawi refugee camps to exchange knowledge and representations of the cosmos.

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OASIS, a documentary that tells us about water's historical role in Western Sahara via the true stories of people who turned this wild desert into a place full of life.

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In Smara refugee camp, barber Mohammed treats customers of different generations.

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