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The Best Grigori Aleksandrov Directed Movies

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poster

76

70

7.4

/8956/

72

/158/

69

/215/

3.8

/13628/

92

/13/

77

/112/

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

poster

74

49

7.2

/1841/

66

/29/

64

/45/

3.8

/2488/

100

/5/

68

/7/

Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress.

poster

64

28

6.6

/804/

63

/19/

62

/22/

3.3

/1665/

67

/14/

An American circus performer finds herself the victim of racism after it is revealed that she's the mother of a mixed-race child. In the midst of the public scandal, she finds happiness, love, and refuge in the USSR.

poster

62

24

6.5

/681/

61

/8/

66

/20/

3.6

/1011/

50

/16/

Romance sentimentale is a 1930 French film directed by Grigori Aleksandrov and Sergei M. Eisenstein. A short, experimental, slightly poetic montage of city and abstract images.

poster

67

23

6.8

/1173/

69

/17/

62

/19/

3.4

/769/

Merry Fellows was the first Soviet musical comedy. Set in Odessa and Moscow in the 1930s. Shepherd Kostya Potekhin (Utyosov) is mistaken for an international concert star. He falls in love with Anyuta (Orlova) and plays the "star" for her. In a cascade of comic musical numbers he becomes the leader of a Jazz-Band and gives a hilarious show at the Odessa Music Hall. Now he is destined to perform at the Bolshoi Theatre in Moscow.

poster

66

20

6.6

/845/

66

/10/

67

/22/

3.3

/548/

Widely claimed to be Joseph Stalin's favorite movie, this classic musical comedy is a must-see. The action takes place on a steamboat on the iconic Volga River, as two groups of performers travel to Moscow to perform in the Moscow Musical Olympiad.

poster

66

13

7.1

/577/

65

/4/

60

/17/

3.5

/249/

A drab woman scientist, working on machine to harness solar energy, and a pert concert singer look-alike being courted to play her in a movie swap identities and find personal growth, professional success, love, and happiness.

poster

?

5.3

/35/

10

/1/

55

/1/

March 9th, 1953. A gray, sad day. Clouds float low over the Kremlin towers. A city that unrecognizably grew, prettier and matured - this Moscow froze in solemn grief. The country escorts its father and leader, Joseph Stalin.

poster

?

6.1

/30/

75

/2/

The film is about the Soviet People's patriotism and friendship.

poster

?

7.5

/13/

10

/1/

A documentary on the life of the famous actress, deceased wife of the director Grigoriy Aleksandrov.

poster

?

6.2

/98/

50

/2/

55

/2/

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

poster

?

6.3

/92/

34

/5/

43

/6/

The young composer Mikhail Glinka performs his new work at a soiree at earl Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. This makes him very sad, but soon he decides to go learn the art of music in Italy. After returning from Italy, he is full of desire to write national Russian opera. Vasily Zhukovsky proposes a subject: a feat of Ivan Susanin. Tsar Nicholas I change the name of the opera to A Life for the Tsar and assigns a librettist - Baron Rosen. Acquaintance with the future co-author shocked Glinka: Rosen speaks Russian with a noticeable German accent. The premiere was successful, but Glinka was still not entirely happy with the libretto: "False words were written by Rosen". When Nicholas I learned that Ruslan and Lyudmila was written on Pushkin's subject, he sees it as sedition. The bitter experience of the composer brighten his supporters.

poster

54

?

6.0

/157/

62

/4/

40

/6/

Soviet and American soldiers are meeting on the shores of the Elbe river in Germany in 1945.

poster

51

?

6.1

/185/

50

/5/

43

/8/

Tanya Morozova, an illiterate but industrious textile factory worker, finds happiness through her education and the Stakhanovite movement. She becomes a shock labourer and ascends through the Party ranks, ultimately being elected as a member of the Supreme Soviet.

poster

70

?

72

/4/

68

/9/

3.6

/481/

Unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931-32. This record only represents the 200,000-plus feet of unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931/32 for Mary and Upton Sinclair and three American co-financiers. It was Eisenstein's vision to end up with movie about Mexico in six parts called "Calavera", "Sandunga", "Maguey", "Fiesta", "Soldadera", and "Epilogue". The project was canceled before it was completed due to cost overruns and months-delayed completion, and the producers refused to let Eisenstein attempt to edit anything from the material he had finished after Iosif Stalin called him back to the USSR. From this footage the following pictures were subsequently edited by other hands: Thunder Over Mexico (1933), Eisenstein in Mexico (1933), Death Day (1934), Time in the Sun (1940), and Que Viva Mexico (1979).

poster

?

4.0

/56/

10

/2/

55

/4/

Soviet intelligence spouses — Lyudmila ("Lyre") and Fyodor ("Starling") Grekov at the beginning of the Great Patriotic War are tasked with settling in Germany. Personnel intelligence officers with vast experience are successfully introduced into German society and begin to work actively. At the end of the war, during the bombing of Berlin, fate separates them, but then they will meet in the new Germany and continue their work.

poster

?

5.1

/80/

10

/1/

32

/4/

The end of the 1950s. The Chinese passenger plane, following the Beijing-Moscow flight, enters a thunderstorm and makes an emergency landing in the Baikal region. In addition to the Soviet citizen Varvara Komarova, all other passengers are foreigners. Using a stop, they explore new cities and get acquainted with the life, work and rest of Soviet people.

poster

?

Thematic anthology of : Le retour a la Maison (1923) by Man Ray; Emak-Bakia (1926) by Man Ray; L'Etoile de Mer (1928) by Man Ray; Les Mysteres Du Chateau de Dé (1929) by Man Ray; Rhythmus 21 (1921) by Hans Richter; Vormittagsspuk (1928) by Hans Richter; Anemic Cinema (1926) by Marcel Duchamp; Ballet Mecanique (1924) by Fernand Léger; Le Tempestaire (1947) by Jean Epstein; Romance Sentimentale (1930) by Grigori Aleksandrov and Sergei M. Eisenstein; La Coquille et le Clergyman (1928) by Germaine Dulac; Regen (Rain) (1929) by Joris Ivens and Mannus Franken

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