Movies - mdblist.com

The Best Joyce Wieland Directed Movies

Movie

From

To

Released

Upcoming

Ratings

Score

Between

and

RogerEbert

Between

and

IMDb Rating

Between

and

IMDb Votes

With at least

votes

Trakt Rating

Between

and

Trakt Votes

With at least

votes

TMDb Rating

Between

and

TMDb Votes

With at least

votes

Letterboxd Rating

Between

and

Letterboxd Votes

With at least

votes

Metacritic

Between

and

Metacritic Votes

With at least

votes

Tomato

Between

and

Tomato Votes

With at least

votes

Popcorn

Between

and

Popcorn Votes

With at least

votes

MyAnimeList Rating

Between

and

MyAnimeList Votes

With at least

votes

Sex & Nudity

Violence & Gore

Profanity

Alcohol, Drugs & Smoking

Include if no rating / vote

Reverse vote (Less than)

Score Average instead of Score

Hide if no TMDB ID

Additional filters

Genres to include

Genres to exclude

Release Status

Has Release

Release Country

Release in Past (days)

Release in Future (days)

Language to include

Language to exclude

Certification

Age Rating

Country to include

Country to exclude

Budget

Revenue

Production Country to include

Production Country to exclude

Runtime

m

Lists, Streaming Services, Cast and more

Popular lists

Popular lists to exclude

Production Companies

Production Companies to exclude

Part of Collection

Keywords to include

Keywords to exclude

In Theaters

Watch region

Watch providers to include

Watch providers to exclude

Director search

Cast to include

Cast to exclude

Limit items

Create List (21 items)

Found 21 items

Login to create a dynamic list

poster

53

10

5.4

/179/

40

/9/

51

/11/

3.4

/469/

“This film is against the corporate military industrial structure of global village.”

?

10

/1/

A study of poor Black and white girls at a Job Corps center, brought from rural areas to be “educated” in typing. Here you see displaced creatures… swimming, sitting, and mostly dancing, who express what’s happening to themselves through their bodies, their hands, and their faces.

?

5.1

/20/

30

/2/

40

/3/

In a way a portrait of Dave Shackman with the American flag. The ending is a stop-motion animation of a set table with food moving and swirling and finally gathering together in a ball. Looking back at the film, the animation sequence seems to foreshadow Dave Shackman’s early death.

?

4.4

/20/

30

/2/

37

/3/

One of Joyce Wieland's earliest works, shot in 8mm and finally blown-up to 16mm, “Larry’s Recent Behaviour” has been described by Simon Field as an "irreverent and wilfully juvenile examination" of a nasty habit that Larry has recently acquired.

?

5.0

/26/

30

/2/

40

/4/

Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet.

?

5.7

/22/

30

/2/

37

/3/

Filmed in Joyce Wieland and Michael Snow’s loft in New York, the film covers a day of friends visiting, writing and drawing from noon of one day to dawn the next day.

?

6.1

/20/

10

/1/

45

/2/

Constructed from found and stock footage, Barbara’s Blindness is a meditation on vision and adversity, drawing humour and pathos from a moralising educational film.

poster

?

5.3

/33/

40

/5/

33

/3/

The film 1933 made between 1967 and 1968 offers a street scene shot in New York City in the late 1960s from a loft window on the second floor.

poster

47

?

5.6

/56/

35

/2/

32

/3/

3.2

/237/

You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten minutes long.

poster

52

?

5.3

/124/

40

/5/

50

/9/

3.3

/260/

A cat eats its methodical way through a polymorphous fish.

poster

?

5.7

/24/

10

/1/

30

/2/

Hand Tinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that is reminiscent of cognitive dilemmas in some of her other films but that has few counterparts in avant-garde cinema of the sixties.

poster

?

5.9

/57/

45

/5/

58

/4/

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated permutations of the film’s title appear like subtitles—the letters are scrambled over and over again, undermining the meaning of Pierre Trudeau's infamous motto.

poster

44

?

5.3

/57/

15

/2/

47

/7/

3.2

/305/

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

poster

55

?

6.8

/79/

25

/2/

59

/5/

3.5

/278/

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way through the city and eventually made it to the island. We followed each other around. We enjoyed ourselves. We said we were going to make a film about each other - and we did”. A & B in Ontario was completed eighteen years after the original material was shot. After Frampton's death, the film was assembled by Wieland into a cinematic dialogue in which the collaborators shoot each other with cameras.

poster

48

?

6.8

/50/

10

/1/

48

/4/

3.5

/205/

About a strike in which women are involved, but told in a very different way.

poster

?

6.8

/22/

10

/1/

30

/2/

"The film [Birds at Sunrise] was originally photographed in 1972. Birds from my window were filmed during the winter, through to the spring, with the early morning light. I became caught up in their frozen world and their ability to survive the bitter cold. I welcomed their chirps and their songs which offered life and hope for spring. In 1984 I was part of a cultural exchange between Canada and Israel. During my visit my unfinished movie came to mind. A connection was established in my mind -- so that the suffering of the birds became, in a sense, symbolic of the Jews and their survival through suffering. [...]" -- Joyce Wieland

poster

?

10

/1/

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you". Joyce Wieland.

poster

42

?

5.0

/110/

27

/5/

48

/10/

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights and myself to it. 'The Housewife is High.' Water Sark is a film sculpture, being made while you wait."

poster

?

10

/1/

60

/1/

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.

poster

?

6.3

/15/

5

/2/

20

/1/

We do not actually see Pierre Vallieres, we see only his lips, his teeth, as he talks in French. English subtitles translate what he says. He speaks slowly and clearly, and tells about the Quebec people.

poster

?

5.3

/41/

50

/1/

62

/4/

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

mdblist.com © 2020 | Contact | Reddit | Discord | API | Privacy Policy