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The Best Morten Arnfred Directed Movies

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poster

57

28

5.2

/1756/

58

/42/

58

/41/

3.1

/575/

Egon escapes from the psychiatric ward, where he has been incarcerated since the gang's last coup. Keld and Benny pick him up, and when Egon, as always, is planning the big heist, the Olsen Gang is once again on the move.

poster

57

13

6.4

/1121/

60

/16/

49

/19/

3.2

/248/

50

/5/

Morten Arnfred's warm comedy Lykkevej (Move Me) begins with Sara (Birthe Neumann) being left by her husband of a quarter century. Sara gets a job and moves into a new home on a street populated by eccentrics. Neighbor Robert (Jesper Lohmann) showers in his backyard, has been in mourning since his wife's death, and annoys his neighbors by keeping junk on his front yard. Sara and Robert tentatively strike up a relationship, while a couple on the street, Sus and Bo (Ditte Grbl and Asger Reher), have their own marriage issues to deal with. Move Me was screened at the Gothenburg Film Festival.

poster

?

10

/1/

When parliamentary officer Bertelsen finds the body of a man in a light box at Christiansborg one day, he is immediately given time off with official silence, while a murder investigation is kept secret from the press. The dead man appears to be an international arms dealer, and the government has a problem explaining itself.

poster

59

?

6.1

/470/

60

/17/

62

/15/

Kim, an ordinary 15-year-old given mostly to himself, is living with an unmarried mother in a small apartment. One day, he falls hostage in a bank robbery along with an unfamiliar girl falls, but after making friends with the leader of the robbers, Kim and his new friend run away from them. Settling for a while in an empty house, teenagers fall in love.

poster

?

5.9

/49/

30

/2/

45

/4/

Maria grows up in a seedy 1960s working class neighborhood, the daughter of an ambitious emigrant father and soon caught up in her own dangerously one track-minded pursuit of a violinist's career. A rich gallery of highly original characters contribute, for better and for worse, to Maria's coming of age. Based on Kirsten Thorup's critically acclaimed 1982 novel, filmed by Morten Arnfred.

poster

55

?

5.3

/502/

70

/9/

39

/7/

Anne has started a wedding planning biz with happily flaming designer Lars and grumpy accountant Jesper. Hoping to make a big public splash, they land upcoming event that will marry TV chat hosts Anders and Signe. Instant attraction between Anne and Anders is complicated even further by her planned nuptials with boring b.f. Simon.

poster

55

?

6.7

/304/

45

/2/

58

/9/

From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).

poster

66

?

6.4

/488/

68

/7/

60

/10/

Steffen is a good kid, a teenager who has recently finished school and is looking for work. He lives with his widowed mother, a newspaper reporter. Very little throws him off his stride, whether it is his girlfriend's jealousy of his friendship with Charly, a reform-school boy, or his mother's drunken, playful amorousness one night, because he reminds her of his father.

poster

58

?

5.7

/137/

60

/1/

When a secretary at the Danish embassy in Russia dies in suspicious circumstances, the local police seem determined to close the case. But diplomat Jack Anderson, who has been brought in to observe, falls for a beautiful singer with ties to the murder and begins his own investigation.

poster

?

6.7

/96/

37

/4/

48

/5/

Directed by Morten Arnfred

poster

?

A grotesque, raw and vulnerable fusion of three bodies. Explores our intense urge for intimacy and touch and the relationship between our loving and destructive impulses.

poster

?

10 short documentaries which form a presentation of Denmark as part of a dialogue project in the wake of the Muhammed drawings. 10 reputable Danish filmmakers are invited to create 10 presentations of Denmark, in collaboration with second-generation immigrants with roots in the Middle East. Each film is shaped as this person's personal application to a relative or acquaintance in the Middle East. The assignment is: Give an important statement about your Denmark, with the intention of challenging and differentiating the image your relative or acquaintance has of Denmark. The strength of the films is in insight and reflection, rather than the dramatic news approach and is communicated through the personal approach to the subject. The 10 films are joined together into one film (duration 58:30 mins), and this film will be a quick and intense contribution to the debate following the publication of the Muhammed drawings.

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