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The Best Helke Sander Directed Movies

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poster

63

18

6.3

/289/

66

/9/

50

/11/

3.7

/1144/

Edda Chiemnyjewski, a freelance press photographer and single mother living in 1970s West Berlin, is confronted with the fact that "a cook has no time for affairs of state". She also fails to find a market for the project she has been working on with her women′s photography group that seeks to document the city. While from today′s perspective the city, which becomes one of the film′s protagonists, looks like post-war Berlin, little has actually changed as regards the precarious existence of free-lancers. With a heavy dose of self-irony Helke Sander, who also plays the leading role, tells of a divided life in a divided city.

poster

63

17

7.0

/210/

59

/11/

55

/9/

3.6

/1110/

A woman threatens to jump off a crane with her two young children in order to secure affordable housing.

poster

58

10

5.6

/133/

55

/6/

53

/10/

3.4

/491/

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

poster

?

5.4

/25/

40

/2/

50

/2/

Jenny is on the road in her film producer's Rolls-Royce, which she has to drive to a film shoot and a wedding. When she gets lost at night, she finds a wrecked car in the ditch and rescues a skinhead.

?

5.8

/8/

A documentary essay on the 1960s women's liberation movement in Germany and it's developments and conflicts through the following decades.

poster

?

7.3

/8/

10

/1/

The 2nd of three self-contained shorts by Helke Sander from her series of shorts entitled From the Reports of Security Guards & Patrol Services.

poster

?

7.2

/6/

10

/1/

50

/3/

Here is the third and last of three self-contained shorts by Helke Sander from her series of shorts entitled From the Reports of Security Guards & Patrol Services . BTW the numbering of the parts is a bit confusing, the only existing parts of the series are No. 1,5 and 8.

?

6.2

/20/

20

/1/

A woman from a big city moves to a small village near the former border zone between East and West Germany. What is she looking for? What will she encounter? Rural life in the era of globalisation turns into an adventure. History lives in objects, stories and customs here since it was first recorded 800 years ago. Wars and famines have left their traces, just as churches, political parties and various forms of government. The change of the times, structured by television, has almost obscurely changed the old rhythms of life; supermarket offers changed eating habits and food stock economy. Is it folklore nostalgia or a matter of preserving one’s way and quality of life to keep the old customs and habits, such as preserving old types of plants and boiling down cucumbers? The village - a mutual exchange of experiences and garden products. The village is like an onion: it shows ever new surprising layers and leads us deep into unwritten pasts.

poster

?

10

/1/

Documentary by Helke Sander, in collaboration with Harun Farocki (among others), about the campaign of the West German New Left against the publishing house Springer, particularly its control and manipulation of the news.

poster

?

7.1

/19/

10

/1/

40

/6/

Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.

?

10

/1/

Seven young women from Berlin discuss their experiences with the pill in a studio setting and react to the ideas that young men of the same age have about this contraceptive. The film is based on the work of the women's group "Brot und Rosen" and their book "Frauenhandbuch Nr.1 Abtreibung und Verhütung".

poster

?

6.3

/13/

10

/1/

N/A

poster

?

10

/1/

The film documents the work of an anti-authoritarian and self-organized school store in Witzlebenstraße in Berlin-Charlottenburg, which emerged as a critique of the development of children's stores. The film shows how the teachers discuss the conversion of open spaces into playgrounds with the children and how the children jointly prepare the publication of their newspaper "Radau". The concept of the children's stores was developed by the Action Council for the Liberation of Women, which emerged from the Socialist German Student Union (SDS), at the Free University of Berlin (FU) and was organized as self-help from January 1968. Helke Sander was one of the co-founders of the Action Council.

poster

?

5.6

/39/

35

/4/

Within four episodes ("Er am Ende", "Muss ich aufpassen", "Eva" and "Are You Lonesome Tonight?" ) are being told adventures of love sick Felix. On Sylt he meets two nymphomaniac women, in Hamburg he meets Eva, a girl who is even more love sick and later he meets Luci who gives him an indecent proposal. Thus he flees again...

poster

?

6.3

/49/

46

/3/

50

/3/

A concise blast of feminist film making, Sander's first film is a tense yet playful four minute short that dissects a typical urban scene at a bus stop on a busy street in Berlin.

poster

?

7.1

/14/

10

/1/

A documentary with fictious elements. Ms. Elisabeth (Lieschen) Müller from Austria comes to Bonn, Germany to find herself a man. During the search she investigates the connections between neckties, political power and prostitution, and tries to look for the influence the german feminist movement had on the men in Germany's capital.

?

7.3

/19/

10

/1/

50

/3/

In a critique to the Berliner films that depicted labour problems always through masculine lens, Sander changes the point of view. Irene, single mother, works in a washing machine factory and has to deal with discrimination, sexual harassment and lack of solidarity.

poster

?

7.3

/34/

35

/2/

40

/4/

At the end of the 1960s, a young woman laid the foundation of the women's movement. As well as political initiatives against male dominance, a detailed picture was drawn of society, which established the women’s motivation.

poster

?

5.7

/29/

3

/3/

50

/3/

Story concerns two friends, Freya and Irmtraut and their relationships with the same man, Traugott, who finds it impossible to choose between the two women.

poster

?

20

/1/

Lucy, who is already human-like, claims that the first humans were mothers: The mother built a nest to secure the child when it became too heavy to carry. This is how she invented the house. She penetrated the dense branches with her voice to maintain contact with the child. That's how she invented language. Today, Lucy shakes her head and asks: "How did you let yourself be dragged down like that?".

poster

?

Part of the episodic film, Seven women, seven sins, this is a different take on the Adam and Eve story. Eve does eat the apple and her curiosity makes her human. Her generous gesture of offering people things turns into a compulsion to feed others.

?

N/A

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