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The Best Marco Brambilla Directed Movies

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poster

62

6.7

/206726/

71

/9696/

67

/3955/

3.4

/121878/

66

/44/

67

/5569/

34

/9/

age 17+

In 1996, brash L.A. detective John Spartan and maniac killer Simon Phoenix are both sentenced to decades in a cryogenic prison as punishment for a rescue mission gone wrong. When Phoenix escapes 36 years later to wreak havoc on the future, Spartan is awakened to capture his nemesis the old-fashioned way.

poster

52

5.4

/14950/

60

/300/

61

/253/

2.9

/8369/

33

/30/

40

/435/

34

/16/

3.0

A rich brat fakes her own kidnapping, but in the process ends up locked in the trunk of a car that gets stolen.

poster

38

31

4.4

/3106/

47

/116/

43

/75/

2.7

/2235/

17

/12/

25

/1876/

A compilation of erotic films intended to illuminate the points where art meets sexuality.

?

20

/1/

Film footage of Sylvester Stallone in Brambilla's 1993 debut feature-film, Demolition Man, is re-photographed through the gate of a 35mm projector and presented as the Sequel. The movement of the film gradually begins to slow until the light from the projector lamp begins to disintegrate the celluloid film.

poster

?

68

/6/

Civilization is a multi-layered tableau of interconnecting images that illustrates a contemporary, satirical take on the concepts of eternal punishment and celestial reward. More than 300 individual channels of looped video are blended into an expansive landscape that continuously scrolls upward, from the depths of hell to the gates of heaven.

poster

58

?

60

/13/

57

/2/

After a plane crash strands two brothers on a lost continent where dinosaurs and humans live together in harmony, they disagree over escape plans. (Condensed cut of original mini-series to be a feature length as seen on Peacock).

?

50

/2/

In the carnival act “Wall of Death,” first performed in the 1930s, a motorcyclist rides around the inside of a wooden drum, maintaining a delicate state of equilibrium between centrifugal force and gravity. The video is made up of a series of motion loops that become progressively shorter, creating the illusion of continuous motion: The rider is caught in a never-ending, never decelerating circle. The editing technique, inspired by the Kinetoscope films popular during the time the act was widely performed.

?

50

/1/

3-channel high-definition video installation

poster

?

6.7

/7/

Set against a stark, monochromatic background with a hairless Poly as the centerpiece, the video gives you an unsettling feeling that something disturbing is stirring beneath her initial placidity. Poly then takes us through a range of emotions of what can only be described as a carthartic episode before ending on the same unnerving note it began with. Brambilla composes the video brilliantly, creating mesh-like layers of Poly’s face that scatter and converge as he explores the idea of mulitplicity within the human psyche.

poster

?

60

/1/

4K ultra-high definition, dual-screen video tile display in custom enclosure

poster

?

64

/5/

40

/2/

'Sync' is made up of sampled images from sex scenes in mainstream and adult films. The formulaic and often derivative nature of the way this subject is interpreted in cinema is emphasised, creating a strong subliminal impression which gradually builds to a state of sensory overload. 'Sync' uses samples as short as single frames edited together to create the impression of motion. The original continuity and narrative in the source material is eliminated, and a new visual choreography emerges.

poster

68

?

6.3

/47/

64

/5/

75

/2/

3.6

/483/

The work follows Greek philosopher Galen’s classification of four personality dispositions—sanguine, choleric, phlegmatic, and melancholic. In the film, Blanchett is seen playing four characters, each representing one of the temperaments. Denoted by color, we see the actor’s face appear on the screen bathed in yellow portraying sanguine, red for choleric, blue as melancholic, and green for phlegmatic. As Blanchett’s personalities are displayed in a series of synchronized images, she begins establishing each distinguished character.

poster

?

Creating a continuous loop through cinematic history, New York-based video artist Marco Bramilla satirizes seminal moments of the silver screen in large-scale video installation, Heaven’s Gate. Oscillating between hyper-saturated imagery, capturing the polarities of the Hollywood spectacle, the piece explores the tensions and intersections of religion, industry, and celebrity – the meteoric rise and catastrophic falls, and the loss of innocence to experience and excess.

poster

?

The history of humankind is illustrated as a vast side-scrolling video mural depicting the spectacle of human conflict across time through the lens of cinema.

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FLashback deals with the collective subconscious and memory using film iconography, the work is presented in a thirty-six block video matrix spanning six distinct phrases. Mirroring the arc of life, each phrase evokes specific psychological responses depending on the associations each individual makes between the video loops.

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The line between man and machine is blurred in this 3D video collage. Commissioned by Ferrari S.p.A., RPM presents a compelling psychological portrait of a Formula One driver's point-of-view during a race.

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Work by artist Marco Brambilla.

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