mdblist.com logo The Best Igal Bursztyn Directed Movies


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poster
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10
/1/

The Passion of Dr. Wider (1983)
A kind-hearted, liberal and person-loving orthopedic doctor is about to purchase a new apartment for his son and daughter-in-law. While visiting the building site, he steps on excrement left in the living room by the laborers locked up for the night. He can't get rid of the smell in any way and falls into the terrible crisis of his life...
poster
?
6.7
/46/
10
/2/

Out of the Blue (2008)
A working-class guy meets the beautiful model from the billboard. But a few more people are involved. Here, the guy is married and his daughter has a crush on the weatherman. The weatherman wants to marry the cosmetics queen from the billboards. The cosmetics queen kind of likes the guy's sidekick. The sidekick kind of likes the guy's daughter, although she's in high school and the age difference would raise anyone's eyebrows.
poster
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10
/1/

Yeshayahu Leibowitz in Ma'alot (1981)
Three philosophers huddled on a taxi backseat ride on a rainy day to a small town in the Galilee. The town prepares to confront them. The confrontation at the local community center leads to the question: is a civil war in Israel unavoidable?
poster
36
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6.9
/18/
20
/1/
Popcorn
19
/220/

The Glow (2001)
Uriel Morag, a retired general with a glorious past that includes some less than glorious episodes, has, like many other army officers, graduated into an executive ministerial job. Self-important, overweight and - in his own mind - indispensable, he heads for the countryside with Mona, his latest bimbo, for a weekend away. But as he drives his BMW towards the village farm of two friends from his military past, he and his love are transported into a twisted Through The Looking Glass-style version of present day Israel.
poster
79
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8.2
/20/
77
/53/

Belfer (1978)
Solomon Belfer, child who arrives to kibbutz after his father fled the country. He dreames of the moment when his father sent him a plane ticket, and he will leave the kibbutz. Meanwhile, he lies in his room and refuses to join the life of the community ...
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61
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7.7
/26/
61
/11/
45
/1/

Everlasting Joy (1996)
A descendant of Spinoza is living, translating, and commenting on life today.
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Our Beds Are Burning (2021)
The film presents fascist ideologies since the beginning of the 20th Century. The actor/presenter of Maurice Barrés argues against foreign labor on the Tel Aviv beach. Mussolini in a gym. Jose Antonio Primo de Rivera in a bookshop. Carl Schmitt at court. Abba Ahimeir and Itamar Ben-Avi in a public library. Gudrun Streiter recalls her love affair with an SA Stormtrooper with Hitler and Himmler on a bench in a park. Three Rabbis from the Yitzhar Settlement on the West Bank: Shapira, Ginzburg and Elitzur have recently ruled that “there is a reason to kill a child if it is clear that it will grow to harm us” (Torat Hamelekh, 2009, pg. 207). They too appear and discuss their interpretation of Divine commands on a park bench.
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Ethics (1992)
Yigal Borstein's experimental short film is based on Baruch Spinoza's book of the same name ("Ethics", in Latin). Spinoza called his philosophical theory "geometric"; Accordingly, the prominent visual element in this film is also the geometry. Burstein shows what is happening simultaneously on four balconies of one building. The camera films the events statically and without movement, and as time passes, the events alternate using jump-cuts. The building is a microcosm of Israeli society, whose representatives inhabit each of the balconies: the lonely writer, the young woman and her partner, the family with children who live with the grandmother, the older couple - and later also the Arabs, followed by the IDF soldiers who drive them away.
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The Guide for the Perplexed (2006)
Director Yigal Bursztyn’s made-for-TV road movie takes viewers on a contemporary journey in which he traces the gospel and teachings of Jewish philosopher, Maimonides (aka the Rambam). Burszstyn goes from the Spanish city of Cordoba to Fes in Morocco, then onwards to Egypt and finally, Israel. In the course of this physical, geographical journey, Bursztyn also does a deep dive into Maimonides’s 12th century canonical work, The Guide for the Perplexed, which he uses as a tool to interpret present-day events and the conflicts between faith and rationale, and between religion, culture, and gender.


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