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The Best Víctor Erice Directed Movies

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poster

85

7.7

/22418/

74

/458/

76

/386/

4.2

/52765/

93

/29/

89

/500/

87

/4/

4.0

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

poster

81

7.2

/4749/

67

/223/

70

/112/

4.0

/23103/

93

/74/

85

/22/

4.0

Years after his mysterious disappearance, Julio Arenas, a famous Spanish actor, is back in the news thanks to a television program.

poster

83

76

7.8

/7217/

73

/170/

77

/143/

4.2

/19872/

100

/14/

91

/36/

A woman recalls her childhood growing up in the North of Spain, focusing on her relationship with her father.

poster

80

62

7.6

/2356/

71

/37/

72

/49/

4.1

/4651/

90

/10/

91

/18/

82

/9/

Filmmaker Victor Erice follows Spanish artist Antonio Lopez in his painstaking attempt to paint the image of a tree.

poster

74

60

7.1

/3782/

70

/39/

67

/41/

3.7

/3600/

86

/7/

77

/32/

Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.

poster

68

21

7.3

/390/

60

/9/

66

/16/

3.7

/1002/

Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone as Sherlock Holmes. The remembrances of such a formative cinematic experience leads him to recall the dark days after the end of the Spanish Civil War, to confess the many fears stalking children and to reflect on the nature of memory itself.

poster

64

15

6.4

/382/

62

/4/

62

/14/

3.4

/631/

Four voices and their visions of Guimarães, cradle city of the Portuguese nation and European Capital of Culture in 2012.

poster

58

7

5.8

/188/

54

/5/

52

/11/

3.4

/234/

Los desafíos presents three separate stories that are linked by an American presence in Spain in the 1960s, with Dean Selmier playing the role of the American male in all three.

poster

?

7.2

/160/

1940. In a rural home in northern Spain life goes on, slowly. But a blood stain on a newborn might have some deep meanings.

?

10

/1/

Short film made by Víctor Erice during his time at the Official School of Cinematography

poster

?

60

/1/

Part of the collective feature film 3.11 Sense of Home

?

10

/1/

N/A

?

10

/1/

N/A

poster

?

20

/1/

This film project was made in 1996 to commemorate the 100th anniversary of the birth of the cinema.

poster

78

?

7.8

/11/

3.6

/249/

Life through a glass, life through a lens, life through a camera. Fade to black. General view of the access to a factory with a big wheel.

poster

?

5.7

/38/

58

/5/

52

/9/

Shortlength that recreates the letters exchanged between Victor Erice and Abbas Kiarostami.

poster

59

?

6.8

/42/

40

/2/

57

/3/

3.6

/258/

A married woman living in France returns to Madrid to bury her father.

poster

?

53

/3/

In a school in Extremadura in a town called Arroyo de la Luz, the teacher shows children of about ten years the subtitled Kiarostami film "Where is my friend's house?" and makes them reflect on the moral dilemma about friendship and obedience posed by the film

poster

?

5.7

/52/

80

/1/

65

/2/

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

poster

70

?

6.8

/98/

70

/2/

3.7

/279/

Relationships and multiple influences between two great directors of modern cinema.

?

Victor Erice's contribution to Celebrate CINEMA 101

?

Short film by Victor Erice, based on the photographs that he has taken over time in the same place

poster

?

Apuntes is a sort of prologue to ‘The Quince Tree Sun’. With images shot by Erice in the Summer of 1990, as he was preparing such film, observing how the painter Antonio López worked. Erice wrote and selected the texts which illustrate them. Apuntes is split in 6 parts to show López’s 6 projects.

?

Situated in front of the video camera, observed by it day and night, the stele-sculpture and chapel of the Memorial have been subjected to a cinematisation process in Stone and Sky in which light, sound and time play an essential role. The daytime view, dominated by the sun (Eguzki) from dawn to dusk, contrasts with the night-time view. The former offers images in which nature coexists with the footprints of history (the work of man: the stone circles, Oteiza’s decrepit stele, Vallet’s chapel); the latter tries to capture something of the metaphysical dimension of the scene lit by the Moon (Ilargi, that is, the light of the dead). In short, they are the elements of what Oteiza identified as the ‘Culture of the Sky’.

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