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The Best David Sherman Directed Movies

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"Fragments of unidentified and yet strangely familiar films, pregnant with allusion and implication, drift into one another, obscured by the haze of rephotography, electricity and the residue of (al)chemical formulae, renamed time and memory. Tuning the Sleeping Machine resurrects the cinema projected on the unconscious, a series of images defined by the gaze of an eye, the presence in an empty room, the creeping darkness that shrouds a strange face." - Brian Frye

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Assembled from the contents of 4 boxes of 50s and 60s film shot by San Francisco filmmaker Dion Vigne, spinning through a lost history, a disappearance of names and faces and works and words of the characters who comprised one of the great chapters in American Underground filmmaking. At the center of this San Francisco re-history is the unknown Beat filmmaker Dion Vigne.

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An urgent letter that will never be read. This film, the grains of memory, an unconscious faith and terror, tries to bridge the pain of a broken family communion.

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REVOLVER incorporates diary observations, found and physically manipulated images as well as experiments of shooting through handmade pinhole lenses. This film is an attempt to come to terms with the isolation and displacement that confronts the contemporary urban dweller; a personal journey through social, physical and psychic landscapes that are both beautiful and tragic. Light motivates growth and decay. Abstractions push and pull in the passage of time toward an exceedingly anxious future.

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The Graceless is a video tapestry of digital and analogue artifacts rephotographed and collaged from discarded 16mm educational films, Air Force test footage, live broadcast streams of pre-invasion television news and reality entertainment.

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A work inspired by the uncanny juxtaposition of the political murder of America’s 25th President during the fantastically realized 1901 World’s Fair, as filmed by Thomas Alva Edison. uncovers a hidden continuum of cinema, terrorism and spectacle.

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A charged meditation on impermanence and entropy explored through Robert Smithson’s Spiral Jetty and early video art. Using hand processed 16mm film and analog video synthesis, DiElectric Drift asks what an artist is capable of creating in time, and what do monumental yet fleeting gestures ultimately mean.

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A FLUXUS inspired performance framing of Yoko Ono daily caught on film in January of 1969, extracted sequentially from Peter Jackson’s film Get Back (2021) from footage originally directed by Michael Lindsay-Hogg.

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A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.

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Wasteland Utopias explores the intersection of two radically different utopian thinkers: mega-developer Del Webb and outsider psychiatrist/naturalist Wilhelm Reich. Each found his way into southern Arizona's Sonoran Desert in the late 1950s—Webb building his colossal, panoptically-planned retirement community Sun City and Reich conducting his weather manipulation experiments using Orgone Energy. Using found footage, documentary interviews, and narrative tableaux, the film interweaves contradictory narratives and critically poetic observations.

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