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The Best Jean-Louis Benoît Directed Movies

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poster

?

5.6

/16/

10

/1/

70

/1/

N/A

poster

?

4.0

/16/

10

/1/

In this retelling of the story of Hamlet, the young man is a soldier on leave to attend his widowed mother's marriage to his uncle - a marriage which is unpleasantly near in time to the death of his father. Every element of Shakespeare's tragic story is present, except that, this time, Dede refuses to kill anyone, no matter how persistent his father's frustrated ghost is.

poster

?

10

/1/

In the large ward of a military hospital, a child of about ten years old crawls under the beds of the wounded. To keep him away from the turmoil of war, his mother sends him to an elderly Lutheran woman, Mother Cazal, who lives with her daughter Suzanne in a house lost in the mountains.

poster

?

70

/3/

60

/2/

We take him for someone else, a Mr. Schmitt. And one evening, at dinner, he and his wife, played by Valérie Bonneton, realize that their apartment has changed, that their business is not theirs. The play is about the perception of oneself. I love the absurd universe of its author, Sébastien Thiéry.

poster

?

3.6

/89/

20

/1/

60

/2/

Michel, a children's book author, has always been successful in life until the day his wife leaves him for a Chinese person. Planning on killing his rival, he starts looking for them.

poster

?

7.5

/10/

20

/1/

85

/2/

Theater play "Les fourberies de Scapin" played by the "Comédie française" in 1998.

poster

?

A judge is called upon to judge a crime of which he is the guilty party. This case of conscience, whether or not to confess his crime, is the pretext for many improbable acts of boorishness, a ferocious spectacle of human relations, unbearable to watch... if laughter were not there to detach us from it.

poster

?

Written in 1760, Carlo Goldoni’s comedy has never been performed at the Comédie-Française, perhaps overshadowed by the famousHoliday Trilogy. A satire of the Venetian merchant class, embodied by narrow-minded, complaining and intolerant men whose mistrust of the fairer sex borders on the absurd, The Boors perfectly illustrates Goldoni’s theatre, a “theatre of life with a real content, characters observed in reality, and a natural expression.” Thus, a theatre in which the man Voltaire described as “nature’s son and painter” scrutinises his contemporaries, their relationships and their social behaviour. His work served to entertain while providing posterity with an acute testimony of the morals of his time. Indeed, Jean-Louis Benoit warns against reducing the author to a simple “photographer of reality”.

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