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The Best Yana Osman Directed Movies

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6.6

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Ukrainian-born, Russian-bred, Afghan-raised, filmmaker once started to catalog all his fences, and then more and more new fences appeared.

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Through massive wooden crates inscribed with strange hieroglyphs, the filmmakers lead the viewer into ΚΟΙΝΟΣ ΚΟΣΜΟΣ: a fluid space where history, mythology, and play converge. Here, boundaries dissolve into permeable membranes, allowing fact and fiction, the inner and the outer, the past and the future, the living and the inanimate to exchange forms, meanings, and roles.

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A conversation with Vladimir Mayakovsky about the future - from this very future.

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Res communis omnium is a Roman law term that defined things that by their nature are of universal human value - such as land, air. The concept has retained its relevance in international law. When the copyright on a work expires, it goes into the public domain (the more relevant modern term is public domain). Based on an analysis of the creativity of over 500 artists, writers, composers, architects, researchers from all over the world, whose works have ceased to be legally protected by copyright since 2022 (50-60-70-80 years after the death of the authors), we are trying to musically and poetically form to re-read what we got into the public domain at this critical time. It turns out. a kind of time capsule, the works were created over half a century ago,

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In the spring of 2022, security guards in Moscow are tense. Under the guise of a film competition on the architecture of the city, Yana Osman and Anton Khamchishkin are permitted, if nothing else, to film the battlements of the Kremlin wall. But how to speak of the attack when you have to say “special military operation”? How to create pictures of resistance when filming any protest is forbidden? By pondering swallows and mathematical catastrophe theory, for example.

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Big Clay #4, a 12-meter sculpture by Swiss artist Urs Fischer, was installed in Moscow in August 2021 and caused a mixed reaction. Gradually, the Russian context supplemented the work with two new parts – thus, from a single work, Big Clay turned into a triptych.

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The first film project of the V – A – C Foundation film almanac “Dreams in the Area” consists of 13 works by various authors and is compiled as a single kaleidoscope of urban life. The main theme of creative comprehension for the workshop participants was personal dreams and collective urban myths. Intertwined with each other, the plots of individual short films are combined into a single narrative field, combining meanings and images in a bizarre manner.

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