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The Best Mathilde Girard Directed Movies

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poster

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I’m looking for Medea. I investigate what we know about her, what we don’t say, and what she teaches us about ourselves. A text emerges: Medea-Material, by Heiner Müller. We lend our voices to this character – perhaps this time we’ll be able to hear her.

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Paris at twilight, children playing in a square. When night falls, masked passers-by scurry about before returning home. In wide, static shots, decisively composed following the lines of streets and buildings, Mathilde Girard films the flow of people during lockdown as curfew begins – the erratic, perpetual movement of a fragmented people.

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Marta, Luc and Charlotte, aged twenty-five to thirty-years old, have a lot to share in the city of Paris: friendships, demands and refusals. Ideas grow in the occupied university departments. THE EPISODES - SPRING 2018 is so singular in its approach to existence and so sovereign in the way it establishes its own language that all attempts at defining, assigning a genre or a previously identified aspect of film, are doomed to failure. All we have to do is open up the dictionary: after all, that was Ponge’s reaction when confronting the unknown. « Episode. A work’s division including several parts, each forming a self-sufficient whole. A more or less striking moment in a lifetime. A set of actions, of events forming a whole and making up a striking moment in history or time. »

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