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The Best Chen Xinzhong Directed Movies

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poster

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20

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The film documents a group of underground conceptual artists and performance artists active in the folk art scene of Chengdu, China. It captures their process of engaging in underground art creation and organizing underground art exhibitions during the summer of 1999, the final summer of the 20th century. The summer of 1999 was a tumultuous period in Chinese politics. It marked the tenth anniversary of the Tiananmen Square incident in 1989, the outbreak of the "Falun Gong incident," and the moment when Taiwan's leader, Lee Teng-hui, made the "two-state theory" declaration, almost leading to a war between the two sides of the Taiwan Strait. These underground artists used their creations to reflect their understanding and perspectives on Chinese history and contemporary society. However, their actions were constantly under official surveillance.

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20

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In the 1990s, in Chengdu, various small traders and vendors bustled through the streets and alleys, each with their own unique style and distinctive calls, selling a variety of small goods. The camera captures these vendors, some of whom have been selling their wares on the streets for decades. They either turn their product information into unique songs or use rhythmic beats from the instruments they carry as accompaniment. These calls, sometimes near and sometimes distant, resound amidst the bustling crowd, showcasing the distinct characteristics of ethnomusicology. With the advent of globalization and rapid economic development, Chengdu is inevitably transitioning from tradition to modernization. Skyscrapers and modern commercial shopping centers are on the rise and traditional street vending will gradually disappear. This film documents the swan song of traditional street calls as they're slowly engulfed by the tide of modernization.

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100

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Ma Xiaobing seeks to move his mother's tomb to his father's burial site so that they can reunite in the Other World. But the turbulent and often violent forces of Chinese urbanization makes this no easy task. In a city of constant change, destruction, and revolution, Xiaobing's attempt to grasp on to something of meaningful permanence could have potentially deadly consequences.

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The rise of independent cinema in China occurred after the 1989 Tiananmen Square incident. Filmmakers such as Zhang Yuan, Wu Wenguang, Wang Xiaoshuai, Jia Zhangke, and others emerged as representatives of this movement. Over the course of more than a decade, from the 1990s to the early 21st century, they created a large number of outstanding domestic underground films that had a profound impact on the international film industry. However, in China, these films faced restrictions and were unable to be screened in theaters due to a lack of official approval. This documentary conducts interviews with these representative film directors of that era. Through the lens, these directors express their personal journeys in engaging in the art of filmmaking within a forbidden environment.

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The Three Gorges Dam project, initiated in the late 20th century, resulted in the submergence of several ancient cities with a history spanning thousands of years. Kaixian County, which falls under the jurisdiction of Chongqing Municipality, was the last millennium-old county to be inundated. Through the utilization of experimental film techniques, the documentary captures the aftermath following the evacuation of Kaixian County's residents. It highlights the fleeting period of intersection between humanity, the city, nature, and history, just before the arrival of the impending flood.

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A small rural township called Red White was seriously devastated by the May 12th Earthquake in China 2008. A 62-year-old Taoist survived even though his temple was largely torn by the disaster. This documentary tells the story of how the Taoist practices the widely believed Chinese traditional religion and the local people’s daily life during the township’s post-quake reconstruction.

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