mdblist.com logo The Best Masanori Oe Directed Movies


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Lingaraja: Poem for the Love of the Emptiness (1971)
He used experimental techniques to visualize the itinerancy of his soul during his journey, and released it as a medium-length documentary, "Lingaraja: Poem for the Love of the Emptiness". During his stay in Nepal, he encountered the "Tibetan Book of the Dead," which he translated and published upon his return to Japan. Since then, he has been working to open up a vision of the spiritual world. This program consists of two works produced after his return to Japan.
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S No. 1 (1968)
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Head Games (1967)
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End (1967)
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The Myth of the Heavenly Road Pilgrimage (1970)
"The Myth of the Heavenly Road Pilgrimage," is about a young man and woman, was filmed on location at Mt. Mihara on Izu Oshima. The music was composed by members of the "Taj Mahal Traveling Troupe. In 1971, he travelled to India, where there were almost no Japanese travellers at that time, and travelled through India and Nepal.
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Salome's Children (1968)
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Yip-Out (1967)
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Four (1966)
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Creation (1966)
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No Game (Newsreel #2) (1968)
In October, 1967, 100,000 people marched on Washington to demand an end to the Vietnam War. Marvin Fishman and Masanori Oe with help from Jonathan Chernoble documented the event and later gave the film to the newly formed Newsreel. This film depicts the peaceful march that ended in the occupation of the Pentagon grounds. Cameras were there in the midst of the fixed bayonets and billy clubs as the military turned on the demonstrators in this historic mobilization.
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Between the Frame (1967)
An environmental film for a psychedelic inner world journey. Flashes of abstract colour, flickering light, multiple screens with double 8s, and the sustained noise of a buzzing fluorescent ballast create a meditative effect.
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Great Society (1967)
If Richie’s films were an American’s insight into Japan, Oe’s six-screen projection piece Great Society takes the intercultural dialogue back full circle onto the U.S., where he accumulated a compilation of American news footage and avant-garde imagery into a hybrid mesh to express distrust in singular point of views. A project commissioned by CBS, the six screens presented interact, mirror and fissure against one another, emanating an aura of vibrancy and confusion that was internationally a characteristic of the decade.


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