mdblist.com logo The Best Joanna Woodward Directed Movies


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30
/1/

Don't Submit to a Moment's Passion with a Stranger (2006)
A one minute film about a disappointing lover.
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80
/1/

The Hump Back Angel (1987)
A story about a king who eats babies and an angel trapped on Earth. "A 'home made' movie... on zero budget and the British funding system for art movies is non existent the urge is to go back to making them on a table top like this one was made. The beauty of animation is that you can create your own world." This film was shown on Channel 4 Television.
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10
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Sawdust for Brains and the Key of Wisdom (1992)
A colourful yet sinister mix of painting, puppets, and real people. A puppet maker shrinks people, then sends them down a conveyer belt to be married and later used as figures on a wedding cake. Our minds, although not clock-work, are forced to live in manufactured time. If we can stop just for a moment , we will see the magical place outside of time.
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6.8
/23/
10
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The Grid (1980)
A story about a time traveler and the search for the first cell of one's existence. 'The Dead', played by Peter Murphy searches for and finds a 'Grid' which enables him to watch the beginning of his life -from the moment of conception.
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7.2
/17/
10
/1/

The Brooch Pin & the Sinful Clasp (1990)
A man sees a ballerina dancing on the top of a tower block and he sets off to find her. Only to be confronted by a giant at the top.
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Two Children Are Threatened by a Nightingale (2021)
An animated film based on the painting about Max Ernst of the same title, he said that a “fevervision” he had experienced when he was sick with measles as a child inspired him to compose the haunting scene that unfolds in Two Children Are Threatened by a Nightingale. Merging collage and painting, he affixed a wooden gate, parts of a toy house, and a knob to a dreamlike painted landscape. A blue sky dominates the composition, and in it a small nightingale hovers above two young girls. The painting features what would come to be identified as the defining preoccupations of Surrealism, a movement in which Ernst was a central figure: dreams and the unconscious; sexuality (as represented, for example, by the girl’s phallic knife); and incongruous juxtapositions.
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The Weatherhouse (1991)
A man and a woman, live inside an ancient mechanism for predicting the weather. Who knows how long they have been there? It is difficult to have a relationship as each is thrust out the front of the building according to the weather and even their shadows are trapped there. He seeks to increase their bond she manages to escape.


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