mdblist.com logo The Best Subhrajit Mitra Directed Movies


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20
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Kalmrigaya (2025)
A Fateful game of Hunting
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35
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5.1
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20
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Devi Chowdhurani (2025)
Set against the backdrop of British colonial rule, Devi Chowdhurani tells the untold story of India's first female freedom fighter. From a humble villager to a fearless rebel, she rises against oppression with the support of Hindu monks, leading the first armed revolution against the British East India Company. A tale of courage, sacrifice, and resilience, this historical epic brings to life a forgotten chapter of India's fight for freedom.
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7.1
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Mon Amour: Shesher Kobita Revisited (2008)
In this rethinking of Rabindranath Tagore's novel Shesher Kabita, filmmaker Rajarshi (Saheb Chatterjee) travels to Kolkata before directing his next movie. There, he encounters his past in the form of his former girlfriend, Indrajeet (Tota Roy Chowdhury), and teacher Brishti (Rituparna Sengupta). The Indian drama weaves the trio's past and present with the characters in Rajarshi's upcoming film. Subhrajit Mitra directs.
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76
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7.3
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80
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The Wanderlust of Apu (2021)
With 'Avijatrik' (The Wanderlust of Apu) , by Subhrajit Mitra - the enduring and endearing character of 'Apu' is all set to return after 60 years. It is the sequel to the classic "Apu Trilogy", which were directed by Satyajit Ray.
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57
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5.8
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58
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Chorabali (2016)
A whodunit thriller set in the backdrop of North Kolkata with its British Raj charm, based on Agatha Christie's Cards on the Table.
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Rayabaghini Bhabashankari (2027)
Tigress Queen Of Bengal.
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Mayamrigaya (2026)
The film is based on Rabindranath Tagore's novel Dui Bon which was first published in 1933 and is among one of Tagore's last three works.
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Aagun Pakhi (2012)
Aagun Pakhi is a Bengali drama film, directed by Shubhrajit Mitra, under the banner of Mindscapes Maestros. The film depicts how people suffer in the society to make a change in it. It also shows how people become weak if they fight against the politician or the corrupt system.
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Flickering Angels (2012)
Featured here, are the journeys of a few girl children in the State of West Bengal, India, who have either lost their parents to unpropitious fate or are separated from them. These children hardly meet their parents, who are serving sentences in the correctional homes or residing as under trial prisoners. Separation from parental touch has not rummaged their lives, as they are in care of a home in a remote area in Ranaghat, on India Bangladesh border. Their ordeal has not barred them from nurturing their inner talents and skills in this home run by the pious nuns, called Dayabari. It unfolds the plaintive story of the bereaved parents who are ordained to live apart from their children, but have dreams surrounding them.


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