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The Best Andy Warhol Directed Movies

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poster

54

5.7

/1753/

55

/36/

56

/39/

3.4

/2691/

50

/10/

71

/43/

1.0

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

poster

42

30

3.7

/1529/

37

/29/

42

/43/

2.7

/2927/

42

/33/

Filmed by Jonas Mekas from the 44th floor of the Time-Life Building, “Empire” explores the passage of time without the use of characters or a traditional narrative. The film, that consists of one stationary shot of the Empire State Building, was made from standard 1,200-foot rolls of 16mm film with a more than eight-hour runtime.

poster

43

30

4.6

/1219/

36

/19/

42

/54/

3.0

/2806/

31

/494/

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

poster

63

29

6.3

/95/

56

/3/

64

/9/

3.5

/759/

60

/10/

65

/70/

Andy directs Edie for a screen test.

poster

46

29

4.1

/1260/

40

/38/

45

/42/

3.1

/2944/

44

/18/

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

poster

61

28

6.1

/372/

56

/8/

53

/19/

3.3

/772/

73

/149/

Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy's companionship via a "Dial-A-Hustler" service.

poster

67

26

5.5

/232/

55

/6/

61

/10/

3.4

/202/

100

At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string and a G-bestringed waiter.

poster

58

25

5.8

/250/

51

/5/

61

/11/

3.2

/1286/

57

/647/

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

poster

51

22

5.1

/453/

39

/10/

46

/33/

3.4

/1082/

An hour-long paean to the art of the kiss featuring fourteen couples, from passionate participants to lethargic lovers, engaging in the intimate act.

poster

69

18

6.6

/432/

62

/9/

67

/12/

3.6

/953/

81

/6/

The film depicts a rehearsal of The Velvet Underground including Nico, and is essentially one long loose improvisation.

poster

46

17

4.4

/337/

47

/7/

36

/20/

2.9

/1253/

Mario Montez in drag eats a banana.

poster

38

15

3.5

/563/

23

/9/

36

/23/

2.9

/974/

Footage of John Giorno sleeping for five hours.

poster

50

12

5.2

/614/

46

/12/

47

/12/

3.2

/611/

45

/5/

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

poster

51

11

5.2

/229/

34

/7/

50

/17/

3.4

/368/

A 16mm Warhol film of Edie Sedgwick sitting in front of a television monitor on which is playing a prerecorded videotape of herself. On the videotape, Edie is positioned on the left side of the frame, facing right; she is talking to an unseen person off-screen to our right. In the film, the “real” or “live” Edie Sedgwick is seated on the right side of the film frame, with her video image behind her, and she is talking to an unseen person off-screen to our left. The effect of this setup is that it sometimes creates the rather strange illusion that we are watching Edie in conversation with her own video image.

poster

51

11

6.5

/70/

10

/1/

60

/7/

3.6

/677/

Andy directs Lou Reed drinking a Coke.

poster

50

10

4.6

/500/

50

/13/

41

/13/

3.2

/370/

Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.

poster

38

10

3.7

/362/

20

/12/

38

/16/

3.0

/459/

This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.

43

9

4.0

/197/

40

/4/

33

/15/

3.0

/597/

Black-and-white version of Mario Banana I, in which Mario enjoys another banana.

poster

?

56

/3/

Lou Reed, wearing a black turtleneck sweater and posed against a pale background, with a bright light sharply angled onto his face from the right, stares intently into the camera, his face, in tight close-up, filling the frame.

poster

?

10

/1/

Andy Warhol’s two-reel portrait of the dancer once billed as “the most beautiful man in the world.” In 1965, Swan was eighty-two years old and still performing his aesthetic dance routines in weekly salons attended by the likes of Marcel Duchamp and Alexander Calder.

poster

?

5.9

/20/

10

/1/

80

/1/

"In January 1965, over drinks at the Russian Tea Room, the documentary filmmaker Emile de Antonio (Point of Order, In the Year of the Pig) warily agreed to collaborate with Warhol on a movie. Believing their politics and art to be absurdly different, De Antonio instead gamely proposed to drink an entire quart of J&B scotch in 20 minutes under the unflinching, voyeuristic gaze of Warhol’s camera. Their Factory session, recorded in this film, instead lasted 66 minutes, its grand finale a reckless and grandiose De Antonio writhing on the floor, clawing the walls, and speaking in tongues." - MoMA

poster

?

5.8

/16/

10

/1/

Mod fashion guru Joan "Tiger" Morse delivers a drug-fueled soliloquy on various topics.

poster

?

10

/1/

Andy Warhol’s mother (Julia Warhola) is supposed to be pretending that she is a former Mack Sennett bathing beauty with 25 former husbands; Richard Rheem plays her current husband. Mostly, however, she appears as herself, ironing Andy’s underwear and Richard’s shirt, cooking eggs, and talking.

poster

?

4.2

/20/

10

/1/

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

poster

?

10

/1/

Susan Sontag was one of the many subjects of Warhol’s Screen Tests, a silent-film portrait series capturing well–known cultural figures of the 1960s. Warhol filmed seven Screen Tests of the journalist and author Sontag in his Factory—a space of collaborative and interdisciplinary artistic production. Of the Sontag films, ST318 is perhaps the most direct and severe. The intricacies of Sontag’s facial features are heightened by the film’s slow–motion progression, stretched out to four minutes and thirty seconds.

poster

?

10

/1/

Part of Andy Warhol's Screen Tests series. Filmmaker and performance artist Jack Smith.

poster

?

10

/1/

Screen Test of Edie Sedgwick and Kipp Stagg (aka Bima Stagg).

poster

?

5.7

/35/

10

/1/

43

/3/

With light only shedding on half of her face, Mary Woronov remains calm and stern as she stares into the camera, until the very end, where she sheds a slight smile.

?

6.5

/54/

10

/1/

100

/1/

Warhol and scenarist Ronald Tavel offer a brutal vision of the Hollywood casting couch with this record of ingenue Mario Montez performing a humiliating auditions for a dictatorial, unseen director.

poster

?

5.8

/32/

10

/1/

70

/1/

1964 screen test of Herko running 4 minutes, 36 seconds in length.

poster

?

5.8

/38/

10

/3/

35

/2/

Model and superstar "Baby Jane" Holzer brushes her teeth for over 4 minutes in a mesmerizing Andy Warhol screen test at the Factory in New York City.

poster

?

5.8

/26/

10

/1/

50

/1/

Billy Name screen test by Andy Warhol.

poster

?

10

/1/

According to the first volume of the Andy Warhol film cat. rais., the film was probably shot on the same day as Jill Johnston Dancing. In the Stephen Koch filmography, Shoulder is listed as: "16mm, 4 minutes, B/W, silent, 16 fps. Filmed summer, 1964. Lucinda Childs' shoulder."

poster

?

10

/1/

The art collector Timothy Baum, in the mod style of the mid-1960s with a high collar and long sideburns, seems unable to relax, repeatedly swallowing, taking deep breaths, and even speaking briefly to the camera.

poster

?

10

/1/

The first of two known David Hallacy screen test's, directed by Andy Warhol.

poster

?

10

/1/

Second of two known screen test's of model Imu, directed by Andy Warhol

poster

?

10

/1/

Bea Filter looks on from one side of the frame, directed by Andy Warhol

poster

?

10

/1/

Ondine wears dark glasses and occasionally raises his eyebrows, as if simulating alertness, ut seems to be drifting off to sleep during the film. There is an in-camera edit toward the end of the roll, where the camera seems to have mistakenly been turned off and then on again.

poster

?

10

/1/

Screen test of Paul Wittenborn, by Andy Warhol.

poster

?

10

/1/

Barbara Rubin, posed against a white wall and brightly lit from the right, smokes, shifts position constantly, glances around, leans forward to put her cigarette out, and gazes off into space. Near the end of the film, she smiles broadly at people off-screen.

poster

?

10

/1/

A young woman identified only as Virginia Tusi, is posed against a light plywood backdrop and wearing dangling, flower-shaped earrings. She looks back at the camera from beneath her long, shiny hair. She speaks to the camera, saying something that looks like ‘beautiful’.

poster

?

10

/1/

1 of 2 screen tests of Dan Foster, by Andy Warhol

poster

?

10

/1/

Susanne De Maria glances around, tilts her head, leans back, smokes, and occasionally smiles at the camera, revealing her dimples.

poster

?

10

/1/

Hal looks sternly into the camera in a darkly lit room.

poster

?

10

/1/

Alicia Purchon Clark looks around in a brightly lit room.

poster

?

10

/1/

Peter Hujar, shot in close-up, has his face lit from both sides, which creates the usual symmetrical pattern of shadows down the centre of his face.

poster

?

10

/1/

The model Imu faces the camera straight on, her face framed in a helmetlike haircut. The bright light causes her to blink nearly continuously; there is a hair in the lower right-hand corner of the frame.

poster

?

10

/1/

Charles Aberg, in a black turtleneck sweater, squints warily at the camera, which films him in a tight close-up of his head.

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